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Triennale Floor Lamp Attributed to Gerald Thurston for Lightolier, 1960s
About the Item
Sculptural floor lamp attributed to Gerald Thurston for Lightolier features a dramatic atomic era 3-light design in soft mocha brown enamel on metal with brass accents. Having three adjustable shades allows the user to position the light exactly where needed; each lamp is equipped with a switch, so that they can be turned on independently.
The lamp is in fully operational, good vintage condition; it is not marked, but the iconic, well-known design can be attributed to Gerald Thurston and Lightolier by comparing the lamp with other examples in reputable online and printed sources. It was not uncommon for Lightolier to omit marking on some of their lamp models.
- Attributed to:Gerald Thurston (Designer)
- Similar to:Lightolier (Manufacturer)
- Dimensions:Height: 65 in (165.1 cm)Width: 18 in (45.72 cm)Depth: 18 in (45.72 cm)
- Power Source:Plug-in
- Voltage:110-150v
- Lampshade:Included
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421143591122
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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