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Hans-Agne Jakobsson, Flush Mount, Pine, Metal, Sweden, 1970s
$2,400
£1,822.86
€2,106
CA$3,363.69
A$3,764.60
CHF 1,964.83
MX$45,908.69
NOK 25,147.16
SEK 23,805.01
DKK 15,716.83
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About the Item
A moulded pine veneer and white-lacquered metal flush mount designed and produced by Hans-Agne Jakobsson, Markaryd, Sweden, c. 1970s.
Overall Dimensions (inches): 11.125” H x 10.125” Diameter
Dimensions of Canopy: 2.8“ H x 3.15” Diameter
Bulb Specifications: E-26
Number of Sockets: 1
All lighting will be converted for US usage. We are unable to confirm that any electrical item meets UL-Listing standards at our facility.
- Dimensions:Height: 11.125 in (28.26 cm)Diameter: 10.125 in (25.72 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use. Minor structural damages. Light staining present throughout fixture. Minor cracks present throughout.
- Seller Location:High Point, NC
- Reference Number:Seller: 181011stDibs: LU3228143829122
About the Seller
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- ShippingRetrieving quote...Shipping from: High Point, NC
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______________________________________________________________
Hans-Agne Jakobsson naît à Hvadhem sur l’île de Gotland en Suède. Menuisier de formation, il poursuit à Göteborg des études d’architecture qui lui permettent d’intégrer le département de design industriel au sein de General Motors.
Très vite, sa passion du bois le rattrape et il s’oriente alors vers des créations plus artisanales. Il devient ainsi le collaborateur de designers célèbres tels que Carl Malmsten ou le très radical Werner West. De ces années d’apprentissage naît une profonde passion pour la lumière, la subtilité et la magie de l’éclairage. Installé dès 1950 à Markaryd dans le sud de la Suède, il propose ses créations dans sa boutique du centre-ville.
L’anecdote raconte qu’un soir de Noël, trouvant son espace trop sombre, il crée dans l’urgence une suspension en pin. Son succès est tel qu’il décide de fonder en 1951 sa propre entreprise Hans-Agne Jakobsson A/B.
La région de Markaryd est une région bordée de lacs et de bois sombres. Jakobsson ne s’inspire pas directement de la nature mais de l’atmosphère si particulière qui se dégage de ces paysages, où la lumière semble être en conflit perpétuel avec la nuit. Influencé par le modernisme, il s’intéresse également très tôt aux nouveaux matériaux qui apparaissent dans les années 1950. Le laiton le passionne tout particulièrement. Il l’associe naturellement au verre pour créer des modèles dont les plus monumentaux orneront les bâtiments publics, les salles de concert ou les églises.
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