
Antique Gothic Gilt Bronze Hall Lantern
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Antique Gothic Gilt Bronze Hall Lantern
About the Item
- Dimensions:Height: 69 in (175.26 cm)Width: 31 in (78.74 cm)Depth: 31 in (78.74 cm)
- Style:Gothic (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1860
- Condition:Repaired: Later adapted with a 3-way centre and wiring. Wear consistent with age and use. In superb condition.
- Seller Location:Lymington, GB
- Reference Number:Seller: BHA 11631stDibs: LU4081127605732
About the Seller
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A fine and rare pair of English Regency period torchères, or stands (or candle stands) in the manner of Thomas Hope. Circa 1810.
Both are raised on tapering simulated-bronze column supports with circular tops and fluted gilt collars, on concave-sided triform bases with winged-panther mask monopodia. The column bases issue from spreading, gilded, carved lotuses.
These antique torcheres might also be referred to as columns, ornamental stands, candle sticks, or candelabra.
In superb condition throughout.
Literature:
‘Thomas Hope – Regency Designer’ ed. David Watkin & Philip Hewat-Jaboor, Yale University Press, New Haven and London (2008).
The Aurora Room, Duchess Street, photo from V & A Museum, fig. 68-1, p. 378.
The Royal Collection, HM Queen Elizabeth II, RCIN 588- 1-2, 45- 1-2, figs. 78-2, 78-3, p. 396.
The Faringdon Collection, Buscot Park, Oxfordshire, illustr. 88, p. 414.
The pair of stands we are offering here correspond closely to the pair in the Faringdon Collection (see above). Watkin and Hewat-Jaboor state; ‘’A ‘Roman’ stand of this precise design, perhaps an imaginative variation on one published by Visconti*, is illustrated in ‘Household Furniture’, plate L, number 2… Hope also owned several classical Roman candelabra...
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Located in Lymington, GB
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Decorated all over with the original finely carved gilt-gesso surfaces with typical circular punched reserves.
The hinged fall - of what one might refer to as the 'table bureau' section - reveals a shaped, fitted interior, gilded and japanned (''lacquered'') in black with red.
Some external carved surfaces show very minor areas of wear revealing the authentic bole and gesso ground. Overall in superb condition.
H: 39 1/2’’ (100 cm)
D: 12 1/2’’ (31.5 cm)
W: 17 3/4’’ (45.5 cm).
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For documented pieces by James Moore visit the Royal Collection Trust.
Wikipedia: James Moore (furniture designer).
James Moore (circa 1670 - October 1726) was established at Short's Gardens, St. Giles-in-the-Fields. He was in partnership with John Gumley from 1714 and, unlike his partner, did not advertise - the sole published reference to him being a notice of his death in The Weekly Journal or The British Gazetteer. As Royal cabinet-maker he supplied walnut and mahogany furniture for the Royal Household, the Royal Yacht, and the King's servants and mistresses, as well as the rich gilt-gesso work for which he is best known.
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Literature:
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Kreisel, Heinrich, 'Die Kunst Des Deutschen Mobels', CH Beck, Munchen (1970) ill. 345, p. 347 - note similarities in the treatment of the top of the crest. This mirror was last seen in the collection of Augsburg Castle.
Synge, Lanto, 'Great English Furniture', London (1991) p. 52.
Symonds, R. W., 'A Royal Scrutoire', Connoisseur (June 1940) pp. 233-236.
Symonds, R. W., 'English Gesso Furniture', The Antique Collector, Vol. XXVII (August 1956) p. 140.
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