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1960s wall sconces by Hans-Agne Jakobsson
$4,800per set
£3,686.19per set
€4,224.33per set
CA$6,757.21per set
A$7,569.57per set
CHF 3,937.12per set
MX$92,333.17per set
NOK 50,124.76per set
SEK 47,264.07per set
DKK 31,529.26per set
Quantity
About the Item
These exquisite 1960s wall sconces by Hans-Agne Jakobsson showcase his mastery of sculptural brass lighting and diffused illumination. Their tiered cylindrical design, crafted from overlapping brushed brass bands, creates a warm, ambient glow a hallmark of his signature aesthetic. Though sourced in Italy, these mid-century sconces embody Scandinavian sophistication with a bold architectural presence.
- Dimensions:Height: 11 in (27.94 cm)Width: 6.5 in (16.51 cm)Depth: 6.5 in (16.51 cm)
- Sold As:Set of 2
- Power Source:Hardwired
- Voltage:110-150v
- Lampshade:Not Included
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use.
- Seller Location:Los Angeles, CA
- Reference Number:Seller: 90601stDibs: LU794646107962
About the Seller
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Hans-Agne Jakobsson naît à Hvadhem sur l’île de Gotland en Suède. Menuisier de formation, il poursuit à Göteborg des études d’architecture qui lui permettent d’intégrer le département de design industriel au sein de General Motors.
Très vite, sa passion du bois le rattrape et il s’oriente alors vers des créations plus artisanales. Il devient ainsi le collaborateur de designers célèbres tels que Carl Malmsten ou le très radical Werner West. De ces années d’apprentissage naît une profonde passion pour la lumière, la subtilité et la magie de l’éclairage. Installé dès 1950 à Markaryd dans le sud de la Suède, il propose ses créations dans sa boutique du centre-ville.
L’anecdote raconte qu’un soir de Noël, trouvant son espace trop sombre, il crée dans l’urgence une suspension en pin. Son succès est tel qu’il décide de fonder en 1951 sa propre entreprise Hans-Agne Jakobsson A/B.
La région de Markaryd est une région bordée de lacs et de bois sombres. Jakobsson ne s’inspire pas directement de la nature mais de l’atmosphère si particulière qui se dégage de ces paysages, où la lumière semble être en conflit perpétuel avec la nuit. Influencé par le modernisme, il s’intéresse également très tôt aux nouveaux matériaux qui apparaissent dans les années 1950. Le laiton le passionne tout particulièrement. Il l’associe naturellement au verre pour créer des modèles dont les plus monumentaux orneront les bâtiments publics, les salles de concert ou les églises.
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