Art Deco Wall Lights

Contemporary Art Deco inspired Italian wall lights in the style of ‘Venini’. Each light comprises of a circle of slim Murano glass rods capped top and bottom by round brass plates...

This ‘Ravello’ wall light takes its inspiration from a timelessly classic Art Deco design. Multiple Italian glass rods form a semi-circle which is capped, top and bottom by 2 tiers o...

Contemporary Art Deco inspired Italian wall lights in the style of ‘Venini’. Each light comprises of a circle of slim Murano glass rods capped top and bottom by round brass plates...

Thick frosted jewel like Murano glass sculpted and textured into a leaf. Sits on a circular brass wall fitting. Exudes a lovely warm glow.

Unique pair of art deco sconces, long narrow design with a stunning art deco design. These are period and show the age, see photos. They are extremely rare and collectible as well as...

A pair of well scaled, substantial and superbly constructed flush-mounted wall sconces having architectural triangulated forms and crafted of patinated steel and frosted glass.

Set of 3 art deco wall lights circa 1930. Hammered iron frame. Pressed molded glass plates with geometric decoration and signed Muller Frères. In very good condition and electrified....

Zadounaïsky Suite of 4 Art Deco Wall Lights Elegant Art Deco sconces, circa 1930, in wrought iron. Electrified and in perfect condition. Mounted with lampshade clipped on the bulb. The 4 sconces are stamped Zadounaisky Height : 33 cm Width : 22 cm Depth : 12 cm Total weight : 6 kg You can contact me for more information and shipping costs. Son of Russian emigrants, Michel Zadounaïsky settled in France in 1916. I In 1920, he discovered the work of wrought iron by joining the Fournet chandelier factory. He also devoted himself to repoussage en ronde bosse, that is to say the confrontation with the metal with only a hammer for a tool, and with the help of fire, techniques in which he became a master. In 1924, he opened his first workshop in Lyon and worked there until 1953, becoming one of the emblematic figures of Lyon's decorative arts. Michel Zadounaïsky regularly exhibited pieces influenced by the Art Deco style in the Lyon Salons. From the 1930s onwards, his themes became more personal, and a whole bestiary of animals appeared, sometimes bordering on the fantastic and the strange. Naturalized in 1948, Michel Zadounaïsky continues to realize, in close and intimate collaboration with Buer (bookbinder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Desiring to abolish the frontier between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only iron sculptor...