Marcin Rusak, '1987' Sconce Model “Tamed 03”, UK, 2019

Sigve Knutson (1991-) Wall lamp model “3” Manufactured by Sigve Knutson Produce in exclusive for Side Gallery Oslo, Norway, 2019 aluminum, wood, wood dust, binder, bulb, elect...

Manufactura italiana Four Rattan sconces Manufactura italiana Italy, 1960 Rattan Measurements 12 cm x 15 cm x 33 H cm 4.72 in x 5.90 in x 12.99 H in.

Pair of wall lamps model “LP 11” Manufactured by Azucena Italy, 1959 Brass, frosted glass Measurements 45 cm diameter x 115 cm height 17,71 in diaemter x 45,27 in height Provenance P...

Gino Sarfatti (1912-1985) Sconce with seven arms model 237/7 Manufactured by Arteluce Italy, 1959 Painted tubular metal, painted metal, transparent glass Measurements: 76.3...

Gino Sarfatti (1912-1985) Pair of triple sconces model “237/3” Manufactured by Arteluce Italy, 1959 Painted iron, aluminum, glass. Measurements: 28 cm x 46 cm x 21 H cm eac...

Franco Albini, Franca Helg, Antonio Piva Pair of sconces, series AM/AS Manufactured by Sirrah Italy, 1959 Chromed steel Measurements: 21 cm x 19 cm x 42 H cm. 8.26 in x 7....

Minimalist and elegant, the Flora Lamp I is an entirely handmade light sculpture featuring a unique combination of materials. Marcin Rusak’s signature Perma...

Minimalist and elegant, the Flora Lamp I is an entirely handmade light sculpture featuring a unique combination of materials. Marcin Rusak’s signature Perma...

In protoplasting nature, rusak combines metal and exotic leaves to make opposing processes — life and death, renewal and decay — evident. A load-bearing structure, formed by hand using welded steel, evokes organic shapes and ornate 17th-century furnishings. In place of a lampshade, Rusak attaches real leaves from the exotic plant Thaumatococcus Daniellii, a rhizomatic herb widely cultivated in central Africa for its exceptionally sweet fruit and useful leaves. The entire sculpture is then coated in zinc...

In protoplasting nature, rusak combines metal and exotic leaves to make opposing processes — life and death, renewal and decay — evident. A load-bearing structure, formed by hand using welded steel, evokes organic shapes and ornate 17th-century furnishings. In place of a lampshade, Rusak attaches real leaves from the exotic plant Thaumatococcus Daniellii, a rhizomatic herb widely cultivated in central Africa for its exceptionally sweet fruit and useful leaves. The entire sculpture is then coated in zinc...

In protoplasting nature, rusak combines metal and exotic leaves to make opposing processes — life and death, renewal and decay — evident. A load-bearing structure, formed by hand using welded steel, evokes organic shapes and ornate 17th-century furnishings. In place of a lampshade, Rusak attaches real leaves from the exotic plant Thaumatococcus Daniellii, a rhizomatic herb widely cultivated in central Africa for its exceptionally sweet fruit and useful leaves. The entire sculpture is then coated in zinc...

In Protoplasting Nature, Rusak combines metal and exotic leaves to make opposing processes — life and death, renewal and decay — evident. A load-bearing structure, formed by hand using welded steel, evokes organic shapes and ornate 17th-century furnishings. In place of a lampshade, Rusak attaches real leaves from the exotic plant Thaumatococcus Daniellii, a rhizomatic herb widely cultivated in central Africa for its exceptionally sweet fruit and useful leaves. The entire sculpture is then coated in zinc...