Pair of Important First Empire Period Ormolu Sconces

Pair of 19th Century or Earlier Louis XV Ormolu Wall Sconces or Appliques. Two arms each with ribbon and bow back, foliate arms ending in foliate candle cups. Provenance: Prominent...

Pair of exquisite George III style wall sconces. Cut English crystal. Ormolu mounts.

Rare Set of Four Period French Directoire or Le Premier Empire Sconces. Two arm wall lights in the Late 18th Century Neoclassical form. Dull and Burnished Fire Gilding. Extreme de...

Pair of 19th century Russian patinated bronze neoclassical figures on Siena marble plinths. Now as lamps. Intricately cast and well gilded ormolu mounts. Two of the four seasons. Gra...

Pair of heavy, un-wired single arm sconces from Florence, Italy. Features a sunburst back plate with concave bowl and eagle-head motif. Masterful casting with wonderful detail. Candle cup measures...

Pair of 18th century Venetian Baroque appliques in 'Legno Dorata'. Each with three curved wire arms clad in water gilt gesso, terminating in carved water giltwood candle cups. Very g...

A stunning pair of Russian empire period ormolu wall candelabras , ca. 1800s-1830s.       

Impressive pair of gilt and sculpted bronze candelabras with three branches. The stem of each candelabrum is a patinated bronze form of the winged goddess, Victory, who holds a gilt bronze torch in each of her hands. Her head is topped with a gilt bronze vase that transforms into the candelabra branches, which is embellished with griffins and rosettes. At the top of each candelabrum is a peacock standing on a globe, symbolizing the sun and immortality. Victory is standing on a cruciform-shaped base, which has a winged cupid on two sides and a caduceus on the other two sides. The intertwined snakes of the caduceus are a symbol of the Greek god Hermes (or the Roman god Mercury) and is a symbol of peace, eloquence and negotiation. Empire period. Perfect condition. Our model is inspired by the projects of Charles Percier and Franc¸ois-Leonard Fontaine, famous architects of the Emperor. Their most important work, entitled Recueil de decorations inte´rieurs (Collection of interior decorations), was published in France at the, end of the 19th century. The winged Victories, caduceus and griffins are some of the motifs present in this piece that demonstrate the adoption of Percier and Fontaine’s decorative...