Pair of Murano Glass Polyhedral Pearl Sconces or Wall Lamps by Venini
View Similar Items
Pair of Murano Glass Polyhedral Pearl Sconces or Wall Lamps by Venini
About the Item
- Creator:Carlo Scarpa (Designer),Venini (Manufacturer)
- Dimensions:Height: 19.69 in (50 cm)Width: 9.85 in (25 cm)Depth: 6.3 in (16 cm)
- Sold As:Set of 2
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:
- Seller Location:Berlin, DE
- Reference Number:1stDibs: LU98353450752
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
Venini
Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.
While the company’s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.
Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.
In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).
Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.
Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968.
With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.
Find antique and vintage Venini chandeliers, serveware, table lamps, decorative objects and other furniture on 1stDibs.
- 1 of 2 Pair of Crystal Glass Sconces or Wall Lamps by KinkeldeyBy KinkeldeyLocated in Berlin, BEStunning pair of sconces by Kinkeldey with huge gem-like crystals and gold-plated brass frame. Chandeliers and further wall lamps in the same style in different sizes are also listed...Category
Vintage 1960s German Mid-Century Modern Wall Lights and Sconces
MaterialsCrystal, Gold Plate
$2,000 Sale Price / set37% Off - 1 of 4 Huge Murano Glass and Brass Starburst Sconces or Wall LampsLocated in Berlin, BEWonderful Murano glass and brass sconces or wall lamps/lights in the form a starburst. The sconces are in excellent condition. 1x E27 / Model A. To be on the safe side, the lamp shou...Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
- 1 of 4 Very Huge Brass Und Murano Glass Wall Lamp or Sconce SculpturesLocated in Berlin, BEVery huge and impressive wall lamp or sconces sculptures made of brass, metal and Murano glass. The lamps are in good condition. To be on the safe side, the lamp should be checked lo...Category
Vintage 1970s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsMetal, Brass
- 1 of 6 Brass and White Glass Wall Lamps or SconcesBy StilnovoLocated in Berlin, BEVery nice and elegant brass and mercury or chrome glass wall lamps. The lamps are in very good condition. 1 x E14. To be on the safe side, the lamp should be checked locally by a sp...Category
Vintage 1970s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
$1,250 / item - 1 of 8 Brass and Satinized Glass Wall Lamps or SconcesBy StilnovoLocated in Berlin, BEVery nice and classical brass and satinized white glass wall lamps or sconces. The lamps are in very good condition. One E14. To be on the save side, the lamps should be checked loc...Category
Vintage 1970s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
- 1 of 8 Brass and White Glass Wall Lamps or Sconces, ItalyLocated in Berlin, BE1 of 8 Wonderful Murano glass and brass sconces or wall lamp/lights. The sconces are in excellent condition. 1 x E14 socket / each. Price is per piece. To be on the safe side, the ...Category
2010s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass
- Pair of Murano Glass Wall Sconces by VeniniLocated in Austin, TXBeautiful pair of Murano glass wall sconces by Venini. Six crystal clear glass "triete" prisms attached to a chrome structure. Each sconces holds two candelabra bulbs, and is wired t...Category
21st Century and Contemporary Italian Mid-Century Modern Wall Lights and...
MaterialsChrome
$5,900 / set - 1960s Toni Zuccheri by Venini Murano Glass Sconces Wall LampsBy Toni Zuccheri, VeniniLocated in Brescia, ITFive wall lamps Toni Zuccheri by Venini 1960s Transparent and amber Murano glass white metal frame and brass screws.Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsMetal
- Pair of Venini Style Murano Glass SconcesBy Toni Zuccheri, Paolo Venini, Venini, Fulvio Bianconi & Paolo VeniniLocated in Houston, TXPair of Venini style Murano glass sconces. Pair of Italian Mid-Century Modern Venini style Murano glass sconces with chrome b...Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsChrome
$2,675 / set - Large Pair of Venini Murano Glass SconcesBy VeniniLocated in New York, NYA very dramatic, large and beautiful pair of Venini style sconces. These are located in our warehouse in Italy and have a lead time for arrival of 8-10 weeks from time of purchase. ...Category
Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsCrystal
$12,500 / set - Murano Glass Sconces by VeniniBy VeniniLocated in Austin, TX"Triete" glass stems were curved on both ends while in fusion to give these pieces a great dynamic shape. A beautiful pair of wall sconces in crystal clear glass on a chromed steel s...Category
21st Century and Contemporary Italian Mid-Century Modern Wall Lights and...
MaterialsSteel, Chrome
$5,800 / set - Murano Glass Sconces by VeniniBy VeniniLocated in Los Angeles, CAMurano Glass Sconces by Venini. Designed and manufactured in Italy, circa the 1950s. Beautiful Murano glass, allowing for a unique illumination...Category
Vintage 1950s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsChrome
$2,500 / item
Recently Viewed
View AllRead More
Vincent Van Duysen Imbues Minimalism with Warmth
The Antwerp-based designer lends his unique touch to homes, boutiques and offices in Belgium, the United States and Germany, as well as furniture for B&B Italia and Molteni.
11 Galleries That Put Berlin on the International Design Map
Get to know the dealers and makers who are attracting worldwide attention.