Rene Drouet Art Deco Style Hand Forged Wrought Iron Sconces Set of 5

French 1930-40s wall sconces in the style of Jules Leleu. In nickelled bronze with handcut elements made of altuglas. Each sconce measures 8 1/2" W x 5 1/2" H x 4 3/4" Deep Currentl...

A very good quality Pair of French Mid-Century (1940's) bronze wall sconces with two scroll and cornucopia design arms with a round glass bobeche and supported by a gorgeous shaped b...

Immerse your home in the warmth of the Spanish Colonial era with this captivating trio of hand-forged wrought iron sconces. Exuding a sense of history and craftsmanship, these monum...

Immerse your home in the warmth of the Spanish Revival style with this elegant pair of brass wall sconces. Extremely well crafted and finished in a rich, antiqued bronze finish, the...

Three French Art Deco double arm, hand-hammered wrought iron sconces in a modern, rustic spirit with each having a scroll form design at the top. Can be purchased as a pair but Pric...

This is a rare set of six all hands forged 1930's iron sconces, the patina is allot nicer in person, we are rewire all the sconces, we could add a plate in the back to cover the elec...

3 wrought iron. Art Deco wall sconces, French, 1940s.

Zadounaïsky Suite of 4 Art Deco Wall Lights Elegant Art Deco sconces, circa 1930, in wrought iron. Electrified and in perfect condition. Mounted with lampshade clipped on the bulb. The 4 sconces are stamped Zadounaisky Height : 33 cm Width : 22 cm Depth : 12 cm Total weight : 6 kg You can contact me for more information and shipping costs. Son of Russian emigrants, Michel Zadounaïsky settled in France in 1916. I In 1920, he discovered the work of wrought iron by joining the Fournet chandelier factory. He also devoted himself to repoussage en ronde bosse, that is to say the confrontation with the metal with only a hammer for a tool, and with the help of fire, techniques in which he became a master. In 1924, he opened his first workshop in Lyon and worked there until 1953, becoming one of the emblematic figures of Lyon's decorative arts. Michel Zadounaïsky regularly exhibited pieces influenced by the Art Deco style in the Lyon Salons. From the 1930s onwards, his themes became more personal, and a whole bestiary of animals appeared, sometimes bordering on the fantastic and the strange. Naturalized in 1948, Michel Zadounaïsky continues to realize, in close and intimate collaboration with Buer (bookbinder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Desiring to abolish the frontier between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only iron sculptor...