Scandinavian Modern Patinated Brass Wall Lamp by Palle Suenson, Denmark, 1930s

Very rare Scandinavian Modern wall sconces model "A-lamp" in solid brass. Manufactured by Louis Poulsen, Denmark in the 1930s. In the style of Poul Henningsen whose famous PH-lamps w...

Rare table lamp designed by Vilhelm Lauritzen and manufactured by LYFA, Copenhagen in the 1940s. Adjustable head. Burnished and patinated brass with fluted middle piece in green viny...

One of most influant Danish architect of the early 1900. Brass wall lamp that can be used down or ud and even on the side. Large reflector with a long arm. Elegant, minimal and classical at the same time. A true master piece produced by lighting manufacturer Fog & Morup in Denmark. _____________________________________________________________ Niels August Theodor Kaj Gottlob, usually known as Kaj Gottlob, (9 November 1887 – 12 May 1976) was a Danish architect who contributed much to Neoclassicism and Functionalism both as professor of the School of Architects at the Royal Danish Academy of Fine Arts and as a royal building inspector. After qualifying from Borgerdyd School in 1905, Gottlob attended the Technical School (1905-1908) and the Royal Academy, graduating as an architect in 1914. At the time, he was one of the young neoclassicists who used to meet at the Free Architecture Society (Den fri Architektforening). He taught at the Technical School (1915–17) and was an assistant at the Royal Academy's Building School (1917–24). Between 1912 and 1923, he travelled to Greece, London, North Africa, Italy, Paris and Vienna. After first working as an assistant at the Academy's School of Architecture in 1917, he was appointed professor in 1924. In 1936, he succeeded Kristoffer Varming as royal building inspector and, in 1938, gave up his post as professor at the Academy. As a young man, Gottlob showed interest in classical architecture, influenced in part by the English Arts and Crafts movement. Works in the 1920s include a residence at 45 Dalgas Boulevard (1924) and St Luke's Church in Århus (1926). But like his peers, he soon turned to Nordic Neoclassicism, appreciating its sober, contemporary style. This can be seen in his Danish Student Hostel in Paris, completed in 1929. Though it was hardly international modernism, it was something of a breakthrough for Scandinavia. In designing Ørstedhus in 1934, Gottlob maintained some of the classical ideals, especially with the symmetry and hierarchical form of the facade. Standing on the corner...

One of most influant Swedish architects of the early 1900. Brass wall lamp that can be used down or up. Large reflector with tiny holes with a curved arm. Elegant, minimal and classi...