Studio B.B.P.R. for Arteluce Ceiling or Wall Light

Angelo Lelii for Arredoluce, ceiling light or wall light, model '12712', nickel-plated brass, coated brass, acrylic, lacquered aluminum, Italy, circa 1958 This ceiling lamp, design...

Gino Sarfatti for Arteluce, wall light, variation on model ‘181’, enameled steel, enameled aluminum, enameled brass, brass, steel wire, Italy, circa 1951 This wall light, a variation on model 181, is designed by the influential designer in the field of lighting design Gino Sarfatti (1912-1985) for Arteluce in 1951. Sarfatti founded Arteluce in 1936, an Italian lighting company that garnered acclaim for its groundbreaking and pioneering designs, defying conventional norms prevalent during that period. Functional principles, such as flexibility and adaptability, guided Sarfatti through the design process. He conceived a modular approach to lighting systems, enabling the user to personalize and adjust the lighting fixtures according to its preferences and needs. A significant part of the released designs incorporated practical elements, such as adjustable arms and rotating mechanisms. This innovative approach had a profound influence on the conceptualization and utilization of lighting within interiors around that time. In addition to their functional attributes, the lamps crafted by the company were predominantly characterized by a pure and minimalist aesthetic. A decoration was subordinate to the constructive element, focusing on the essential composition of geometric forms and usage of materials. Gino Sarfatti considers this type of wall lights as ‘extendible wall sconce...

Gino Sarfatti for Arteluce, wall light, model '194N', chrome-plated metal, coated aluminum, coated steel, Italy, 1950 This wall light, model 194N, is designed by the influential designer in the field of lighting design Gino Sarfatti (1912-1985) for Arteluce in 1950. Sarfatti founded Arteluce in 1936, an Italian lighting company that garnered acclaim for its groundbreaking and pioneering designs, defying conventional norms prevalent during that period. Functional principles, such as flexibility and adaptability, guided Sarfatti through the design process. He conceived a modular approach to lighting systems, enabling the user to personalize and adjust the lighting fixtures according to its preferences and needs. A significant part of the released designs incorporated practical elements, such as adjustable arms and rotating mechanisms. This innovative approach had a profound influence on the conceptualization and utilization of lighting within interiors around that time. In addition to their functional attributes, the lamps crafted by the company were predominantly characterized by a pure and minimalist aesthetic. A decoration was subordinate to the constructive element, focusing on the essential composition of geometric forms and usage of materials. Gino Sarfatti considers this type of wall lights as ‘extendible wall sconce...

Franco Albini and Franca Helg for Arteluce, 'Ochetta' wall light, model 141, metal, frosted glass, Italy, 1962. The 'Ochetta' wall lights were designed by Franco Albini and Franca...

Pair of Studio B.B.P.R. Sconces. Designed and manufactured in Italy, circa the 1960s. Nickel and Holophane glass sconces. Rewired for the US.

Wall or ceiling fixture, No. 235/b, designed by Cini Boeri and manufactured by Arteluce in 1971. The lamp consists of two parts: the cylindrical outside and the inside (a reflector)...

A sculptural and highly architectural ceiling light designed by Studio BBPR for Arteluce in the 1960s—this rare large-scale variant of the ...

Model 235 Wall or Ceiling Lights by Cini Boeri for Arteluce. Designed and manufactured in Italy, in 1971. Sleek slant cut flush mounts with a concave socket housing, receiving a chro...