
Swedish Midcentury Wall Lamps in Brass and Glass by Hans-Agne Jakobsson
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Swedish Midcentury Wall Lamps in Brass and Glass by Hans-Agne Jakobsson
About the Item
- Creator:Hans-Agne Jakobsson (Designer)
- Dimensions:Height: 9.45 in (24 cm)Width: 5.52 in (14 cm)Depth: 7.09 in (18 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Karlstad, SE
- Reference Number:1stDibs: LU1720219143992
Hans-Agne Jakobsson
Hans-Agne Jakobsson was a Swedish interior and furniture designer, who ran his own company from 1951. Jakobsson was especially famous for his lighting designs, which often had a softly glowing light and organic shape. His designs were inspired by great, modern Scandinavian designers such as the Finnish icon Alvar Aalto and Danish lighting master Poul Henningsen.
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Hans-Agne Jakobsson naît à Hvadhem sur l’île de Gotland en Suède. Menuisier de formation, il poursuit à Göteborg des études d’architecture qui lui permettent d’intégrer le département de design industriel au sein de General Motors.
Très vite, sa passion du bois le rattrape et il s’oriente alors vers des créations plus artisanales. Il devient ainsi le collaborateur de designers célèbres tels que Carl Malmsten ou le très radical Werner West. De ces années d’apprentissage naît une profonde passion pour la lumière, la subtilité et la magie de l’éclairage. Installé dès 1950 à Markaryd dans le sud de la Suède, il propose ses créations dans sa boutique du centre-ville.
L’anecdote raconte qu’un soir de Noël, trouvant son espace trop sombre, il crée dans l’urgence une suspension en pin. Son succès est tel qu’il décide de fonder en 1951 sa propre entreprise Hans-Agne Jakobsson A/B.
La région de Markaryd est une région bordée de lacs et de bois sombres. Jakobsson ne s’inspire pas directement de la nature mais de l’atmosphère si particulière qui se dégage de ces paysages, où la lumière semble être en conflit perpétuel avec la nuit. Influencé par le modernisme, il s’intéresse également très tôt aux nouveaux matériaux qui apparaissent dans les années 1950. Le laiton le passionne tout particulièrement. Il l’associe naturellement au verre pour créer des modèles dont les plus monumentaux orneront les bâtiments publics, les salles de concert ou les églises.
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