1939 World’s Fair Light Up Bottle Airplane Lamp

The 1939 World's Fair Airplane Art Deco Lamp captures the essence of that era's innovation and style. This striking lamp features an airplane motif i...

Mid-century brass aquarium lamp with original shade. This piece features an East Asian-inspired brass form constructed of brass with a hand-formed light-...

Illuminate your space with aviation-inspired elegance. Our Art Deco frosted glass table lamp takes the shape of a sleek airplane, ble...

Custom made aircraft aluminum blinker lamp featuring a lamp made from jet engine turbine parts. The lamp blinks in one second inter-volts.

This modernist spring table lamp features a black steel cube with a chrome socket surrounded by a large chrome coil spring. It's unique and elegant simplicity is an exquisite exa...

Mid-century chalkware lamp featuring a detailed sculptural bust of a young girl with long blonde curly hair and gold accessories.

Exceptional elephant in plaster 1931 World's Fair This extraordinary elephant was on display at the entrance of the Indochina pavilion. Historical piece Beautiful condition Meas...

A unique and rare Art Deco salt & peppershakers from the 1939 New York Worlds fair great deign highly collectible piece.

Superbly sculpted and highly detailed, this very fine bronze relief dated 1892 -- designed by Lodovico Pogliaghi and sculpted by Angelo Cappuccio for Stefano Johnson in Milan -- depi...

Produced in France in the 20th Century as an ode to World’s Fairs of the past. The front of the box depicts the iconic art deco structure ‘Grand Palais’ which was the main feature of...

Art Deco bronze figurine double arm table lamp with white art glass tulip shades, France, circa 1930-1939. The adjustable two arms allow variable...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...