19th Century French Bronze 5 Arm Candelabra Lamp

Pair of 19th c. French 3 Arm Dore Bronze Candelabras Converted to Lamps. The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Decorated. The lamps h...

Pair of antique French doré bronze candelabras. Rococo style with seven lights. All with urn nozzles and shaped drip pans. Scrolling and acanth...

Gorgeous pair of 19th century French Rococo Dore bronze candelabra lamps. With all original parts. In perfect condition.

Pair of Late 19th c. French Bronze 2 Arm Candelabras Converted to Lamps with Child Figures.The Shades are included and are Hand Made of Parchment Paper. They are Hand Gilded and Deco...

Pair of candlesticks, of patinated and dore bronze, each having five scrolling candlearms, raised on tripartite base; lamped. Stock ID: D9163

pair of 19th Century French Empire Gilt Bronze Candelabra Lamps in Charles X style, later electrified in the late 19th to early 20th centu...

Pair of 19th century finely chased French doré bronze candelabras converted to lamps. The base diameter is 9 inches. The shades are included and are handmade of parchment paper. They...

A pair of late 19th century French gilt bronze three arm candelabra lamps. Each lamp is intricately detailed with a fluted center column, three paw feet sitting on a curved triangul...

Pair 19th Century French Empire Ormolu Patinated Bronze Candelabra Lamps. Pair of elegant antique French Empire bronze four light candelabras converted to table lamps. The outstandi...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...