21st Century Replicanti Table Lamp in Red by Mimmo Rotella

Mimmo Rotella was an Italian artist and poet who is best known for collages made from torn advertising posters in a medium that he called "double décollages."

Rotella was born on October 7, 1918, in Catanzaro, Italy, and studied at the Accademia di Belle Arti in Naples before moving to Rome in 1945. There, he became associated with the Lettrism movement and — along with Raymond Hains, Jacque Villeglé and François Dufrêne — became known as one of "Les Affichistes," an artist group credited as the forefathers of street art.

Rotella's first solo exhibition was held in 1951 in at the Galleria Chiurazzi in Rome, and later that same year, he was awarded a Fulbright Scholarship with which he traveled to Kansas City University. In 1961, he was invited by Pierre Restany to join the New Realism movement, whose members included Yves Klein, Arman and Jean Tinguely. In 1964, he represented Italy at the Venice Biennale. He died on January 8, 2006, in Milan, Italy, at the age of 87.

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(Biography provided by Galerie Omagh)

Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.

While the company’s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.

Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.

In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).

Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.

Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968. 

With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.

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