Items Similar to Alfredo Santarelli Pair of White Reticulated Majolica Table Lamps, 1940s-1950s
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Alfredo Santarelli Pair of White Reticulated Majolica Table Lamps, 1940s-1950s
$2,200per set
£1,676.06per set
€1,932.57per set
CA$3,078.86per set
A$3,440.11per set
CHF 1,799.56per set
MX$42,186.75per set
NOK 22,994.93per set
SEK 21,805.29per set
DKK 14,423.80per set
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About the Item
Sculptural majolica lamps feature complex hand-sculpted reticulated bodies with 4 vertical segments; two narrower segments are composed around the central medallions of Sun God face, surrounded by abstract geometric pattern, and two wider segments consist of complex lattice work, influenced by Art Deco and Renaissance styles. Minimal elongated shape of the lamps balances highly textured reticulated designs, and the choice of white glaze adds a Modernist touch to the pieces.
The lamps are mounted on brass bases with brass fixtures; they are signed by the artist on the inner rims of the ceramic bodies. The ceramic parts were acquired from the importing warehouse that operated in 1940s-1970s; they were stored unused, as old new stock, for at least 50 years, before finally being wired. It is quire rare to find a pair of lamps by an important Italian ceramic artist of early 20th century; we are excited to be able to offer another pair of white majolica lamps by Alfredo Santarelli in different shape in a separate listing.
The lamps are fully operational with the new brass single turn knob sockets, wired for US 110v, standard polarized plugs. The ceramics are in good vintage condition with some age-appropriate signs of storage wear on the glaze that are not detracting from the overall quality of the pieces, and are shown in the pictures. The issues can be corrected professionally at discretion of the customer; we chose to not restore the ceramic parts to preserve the original condition and the vintage charm of the lamps.
Alfredo Santarelli (1874-1957) was born in Gualdo Tadino, Italy; he is considered one of the most important Italian ceramic artists of the 20th century. His talent in drawing and his mastery in the tin glazing technique (lusterware) won him a large number of golden medals in International and Italian ceramic exhibitions. His excellent portraits and classic subjects are prized collectors’ items, but he also interpreted Islamic, Liberty and Art Deco designs and shapes with great originality. In the second half of the 20’s his art evolved in line with the contemporary trends.
Santarelli started his career in the pottery studio of Paolo Rubboli, who was considered the most skilled potter in Gualdo Tadino at the time. Before taking up ceramics he pursued academic studies at the Academy of Fine Arts in Perugia. He set up his own studio in 1899 to produce refined lusterware that reinterpreted Renaissance and Oriental models, as well as those of Art Nouveau and Art Deco. Among other events, Santarelli took part in the Exhibition of Pesaro Ceramics in 1924 and the second Monza Biennale in 1925. In late 1920s Santarelli become the Artistic Director in the new Anonymous Cooperative Society in Deruta.
The Ceramics Museum of Casa Cajani in Gualdo Tadino dedicated an entire section to Alfredo Santarelli and a tribute to his celebrated work with artefacts from important factories created in the 1900s with the influence of Santarelli, such as Luca della Robbia, the Mastro Giorgio Ceramic Society and the Angelo Pascucci Ceramic Industry.
Alfredo Santarelli received honors for participation in multiple international and Italian competitions and exhibitions in early 20th century:
1899 - Rome, gold medal;
1900 - Bordeaux, Grand Prix of honor;
1902 - Foligno, gold medal;
1904 - Perugia, a large cup of honor;
1907 - Perugia, Grand Prix and gold medal;
1908 - Faenza, medal of the Ministry of Industry and Commerce;
1908 - Gubbio, Cross of Merit and Gold Medal;
1910 - Brussels, III award;
1910 - Spoleto, gold medal;
1923 - Terni, gold medal;
1923 - Florence, gold medal;
1923 - Roma, gold medal;
1924 - Pesaro, silver medal;
1926 - Florence, gold medal;
1927 - Tripoli, gold medal.
Bibliography:
Italian Art Ceramics 1900-1950, V. Terraroli, p.271
Ceramica Italiana del Novecento, F. Bertoni, J. Silvestrini, pp. 283-284
- Dimensions:Height: 25.5 in (64.77 cm)Width: 7.25 in (18.42 cm)Depth: 6 in (15.24 cm)
- Sold As:Set of 2
- Power Source:Plug-in
- Voltage:110-150v
- Lampshade:Included
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1940s-1950s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421143126622
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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