A brutalist concrete and stained glass lamp, circa 1950

The iconic original bauhaus design with desirable very dark green finish. Made by Körting & Mathiesen, Leipzig. Iron base, tubular metal, sheet metal,. Marked: KANDEM badge. L...

Oil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...

Solid wood base heavily carved in natural patterns with a dark patina. Base size only 14x6x6. As shown 18x24.

Brutalist table lamp in carved oak with wrought iron studs. Base only 22x11.