Delft Blue and White Lamp from Tobacco Jar, Embroidered Silk Sari Lampshade

Exquisitely handcrafted by Amitābha Studio in Amsterdam, Toeback is a one-of-a-kind table lamp made from a rare Oud Delft tobacco jar, reflecting the legacy of this celebrated Dutch ceramics brand. Established in 1920 by W.A. van der Want in Nijmegen, Netherlands, Oud Delft is renowned for its exceptional Delftware, which merges traditional Dutch craftsmanship with a modern aesthetic. Known for their distinct glazes and intricate hand-painted motifs, Oud Delft pieces, like their iconic KLM houses...

Meticulously handcrafted by Amitābha Studio from an antique Altena & Krooyenga Makkum (Netherlands, mid-20th century) earthenware vase— hand-painted in polychrome Delftware style—pai...

Exquisitely handcrafted in Amsterdam by Amitābha Studio, this commanding table lamp is created from a rare, hand-painted Delft Blue vase produced by the esteemed Velsen Pottery in th...

Exquisitely handcrafted in Amsterdam by Amitābha Studio, Louis is a one-of-a-kind table lamp made from an early 20th-century Desvres faience vase attributed to Georges Martel, renown...

1990s Chinese Asian style white and cobalt blue porcelain table lamp. Lamp shade not included. Dimensions with shade:73 x 50cm ...

Here's a special chance to bring home a unique, top-quality table lamp from the 18th century. The Gerhart Wolbeer brand, which was based in Berlin way back in the 17th century, was k...

This table lamp is a 19th century Famille rose vase lamp, it has been made in china circa 1880. The mount is in brass, and the porcelain in hand painted. US PLUG ADAPTATOR WILL BE F...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...