Design Table Light Type 3680, by Ligne Roset, France 2002

Stone table light with metal and teak feet. With a beige lamp shade.

White opaline glass table light by Peil and Putzler, Germany, 1970s. In good condition with EU plug.

Skin colored egg shaped glass table light.

A luxurious, high-quality table lamp, made by Franco Lapini in Italy in the 1970s. Franco Lapini is a maker of luxury items. Everything is made by hand and is a unique object. Our ...

White and brown ceramic table light with white lamp shade. It has the original wiring, but we can replace it with a new wire, if desired.

White and pink glass globe by Holmegaard and white (not original) lamp shade. We also have the larger model available Measures : Diameter lamp shade: 34 cm Diameter lamp: 14 cm ...

Small table lamp with tubular frosted glass shade on round chrome base by Ligne Roset. Switch is on the cord.

“Paranoid 2” flexible, directional reading light designed by Swann Bourotte for Ligne Roset. Black woven protective cover, a LED bulb giving a concentr...

Rare lamp «Couronne» by JC de Castelbajac en 1990 for Ligne Roset. Signature de JC de Castelbajac on the base.

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...

These pair of rare floor torchiere lamps have a fluorescent tube and halogen light, ribbed perspex on reverse, brushed aluminum sides, and perforated front with a movable halogen top shade with dimmer switch, we have rewired the pair of lamps, a classic 1980...