Dutch Opaline Table Lamp with Ball-Stem and Chrome Details White Black Base

1970s table lamp in the Vintage style with brass fittings The lamp has a shade made of Plexiglass giving it a matte, white surface, and provides a strong Down-light with a softer, d...

1970s table lamp with chrome fittings on a metal base with wooden detail. The lamp has a shade made of metal giving it a matte black finish, white surface inside, Ideal for a side t...

This Art Nouveau-style table lamp was designed and manufactured in Italy during the 1960s. The base is in colored blown glass and Gold Flecks details. It is in good original and pe...

Purple and white plaque with figures in a landscape. Utrecht, circa 1760. Mark: Le J Lozenge-shaped purple and white plaque with a conversing couple in a landscape. In the foreground a man and a women with a bare bosom sit on a river bank, behind them stands a tree leaning to the left. A church tower and some houses are depicted on the other bank and a boat sails on the water. The molded and raised rim is painted with a continuous branch of leaves, the back is glazed white. The woman with bare bosom shows that a pastoral scene is depicted. The man and woman are possibly shepherds, although their characteristic staff and sheep are lacking. Pastoral literature enjoyed considerable popularity in the seventeenth and eighteenth centuries and themes from it were frequently used for paintings, drawings and prints. The painter must have taken such a print as a model. The Le J signature is probably of the tile painter and has not yet been identified. Besides the mass production of tiles, the tile factories in Utrecht in the eighteenth and the first half of the nineteenth centuries also manufactured other items on a small scale such as plaques, tobacco boxes, tea-stoves and shoes. Plaques form the largest part of this incidental production, and can clearly be distinguished stylistically and technically from Delft examples. Stylistically they are related more to tiles from Utrecht. The layered structure of the foreground with rocks and low shrubbery is derived from tiles with landscape, shepherd and biblical decors. The same also applies to the (leaning) tree, a typical Utrecht feature. The spiral cloud motifs are painted on Utrecht tiles as well. There are also important differences in production techniques. Delft plaques...

From the range by Phillips netherlands, this centre-light is on a chain. 30 cm The lamp has a fitting on a Solid chrome plate and holds a shade of opaline glass. We are happy to adj...

Pair of blue and white plates with flower vases. Delft, dated 1760. Mark: LV . A pair of blue and white plates with a wide flange, pai...

Quite extraordinary, this Italian table lamp features Lucite foot and cap, a superb scagliola finish and two deer's head mounts. Furthermore, the artist has "peeled away" the scagli...

Decorated with several nude pan and satyr figures in a laughing, high-spirited mood, each masterfully glazed in tones of ivory, charcoal, turquoise, teal and cerulean, this magnifice...

An understated pottery lamp by Design Technics with rippled layers in chocolate brown and off-white/cream and finished with a faint (nearly-matte) glaze. *height of ceramic body: 1...

A rare and early stoneware oil lamp base incised with butterflies by Robert Wallace Martin for the Martin Brothers dating from around 1873 when Martin Brothers were founded. The tall oil lamp...

Large hand-sculpted ceramic lamp, stylized face with a round of danseurs, stoneware glazed in black enamel. One of a kind handmade piece signed by the French ceramicists Dalo The he...

A blue and black stoneware table lamp designed and produced by Turid Mjelve, Norway, c. 1970s. Sold without lampshade. Dimensions of L...