Fantastic Art Nouveau Table Lamp by Daum, Nancy

Large German table lamp from the 1970s. The large glass globe with air bubbles inside. These bubbles throw a Milky Way shadow to the wall.    

Large Sculpture lamp by Gustav Gurschner, Vienna, 1901. Bronze, patinated. On marble base. Signed and dated. The glass shade is made by Pallme Konig. Measures: Height 41.34 in ( 105 ...

Art Nouveau, Germany. Design circa 1901 by Johann Emil Schaudt. Pear wood, shellac polish renewed. Reupholstered. At the exhibition in Dresden in 1902, the room of which this armchai...

Art Nouveau ceramic tile, circa 1900. Designed by Carl Sigmund Luber (1896-1934), Germany. Manufactured by Johann von Schwarz, Nuremberg. Sto...

Art Nouveau ceramic vase, ocher-blue-green glazed. Designed ca. 1902 by Henry Clement van de Velde. Executed by Keramik Manufaktur, Bürgel Height: 11.22 in ( 28,5 cm ), Diameter: 5.2...

Art Deco lamps by Marius Ernest Sabino ( 1878-1961 ), France around 1925-1930. Rectangular clear glass shape with a geometric Art Déco relief decor, frosted. Partly with reddish col...

Daum Cameo Glass and Wrought Iron Maple Leaf Table Lamp, circa 1920 Art Nouveau Art Deco design. Mottled and variegated glass base with with carve...

Blown art glass by Daum, fantastic bronze base art nouveau table lamp. Professionally rewired.

Daum Nancy French Art Nouveau Table Lamp. Circa 1900 Antique Art Nouveau French gilt bronze floral formed table lamp with Daum Nancy Mottled glass shade. The special shade speaks for itself and is in pristine condition emitting golds, purples, reds and oranges. The treasure here is the mystery museum quality gilt bronze art nouveau floral base which may be the most beautiful chased bronze base I have ever seen. That comes from someone who sells 25 Tiffany Studios and dozens of other Daum, Galle, Majorelle and Edgar Brandt lamps a year. This one wont last long. Shade signed: "Daum Nancy" Base not signed. Dimensions: Height: 17.5 Inches x Width 17 Inches (Shade) H: 6.25 x D: 6.25 Condition: Excellent with no damage or repairs. Some regilding. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Art Nouveau lamp circa 1900. Patinated regula representing a nymph, signed L. Bessin for Paul Lucien Bessin. Glass paste tulip signed Daum Nancy. Electrified and in perfect condition...

Gilt bronze lamp around 1900, probably by Majorelle executed by Victor Saglier. Stamped on the foot VS. Glass paste tulip signed Daum Nancy. Lamp electrified and in perfect condition. Total height: 38.5 cm - 15.15 in width: 15cm depth: 13cm weight: 2.3kg Victor Saglier (1809 - 1894) Victor Saglier is a ceramist and goldsmith known in particular for his creations in the Art Nouveau style of the late 19th century. He produces, among other things, objects in enamelled glass, gilded metal and numerous pieces of silverware. On his death, the company was bought by his brothers who continued production until 1948. Victor Saglier's objects are signed by the "VS" brand. Known for his Art Nouveau work, Saglier made several pieces for Louis Majorelle, Daum and Émile Gallé. Its style is typically French Art Nouveau in the language of the École de Nancy. He often drew inspiration from nature for his work, the logic of which helped design both forms and settings. The sign of master goldsmith Victor Saglier is an oval-shaped three-master sailboat surrounded by the letters V and S in a rectangle. Saglier made everyday objects such as glass vases, bowls and pitchers with metal mounts, planters, tea and coffee services and candlesticks in bronze or silver-yellow metal or cast zinc. On his death, the Victor Saglier company at 12 rue d'Enghien in Paris became Saglier Frères. It was run by his brothers Eugène and André until his death in 1948. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

This Art Nouveau table lamp was designed and produced by Daum Nancy, in France, during the 1920's. It has a blown glass shade that is hung in a solid bronze fixture with organic and ...