Fantastic Pair of Early 20th Century Bronze and Marble Candelabra by Caldwell

A Very Fine Pair of Late 19th Century Two Tone Bronze Nine Light Candelabra After Clodion After Clodion Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the form of a quiver, on a bronze mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

Pair French Bronze and Marble Six-Light Candelabras, 19th Century. In the manner of Henri Picard (French, fl. 1831-1864) hunting couple stand in front of tree adorned with candle so...

An impressive and high quality true pair of French 19th century Renaissance st. patinated bronze, ormolu, and black Belgian marble candelabras signed Grêgoire. Each seven arm candelabra is raised by elegant scrolled ormolu feet below the striking square stepped mottled black Belgian marble base with a remarkable central ormolu plaque, a lovely berried laurel leaf, a smooth cabochon, and beautiful wrap around ormolu band. The wonderfully executed patinated bronze statues at the center depict beautiful maidens draped in finely detailed flowing garments with one arm in the air seemingly holding up the ormolu cluster above amidst charming foliate designs and impressive dolphins. Above are six striking elegantly curved arms centering a single one with lovely finely detailed foliate accents leading to remarkable reeded bobeches and most decorative candle cups. Jean-Louis Grégoire (1840-1890) a renowned 19th century French sculptor. Trained at the École des Beaux-Arts in Paris, and took part in Les Éxpositions de Paris. In 1899 was awarded with Le Prix...