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Large 19th C. Austrian Orientalist Cold-Painted Bronze Figural Lamp, By Bergman
$36,800
£27,882.98
€31,993.51
CA$51,783.54
A$56,924.36
CHF 29,916.83
MX$691,269.02
NOK 373,204.95
SEK 353,585.44
DKK 238,775.65
About the Item
This exceptionally large 19th-century Austrian Orientalist cold-painted bronze figural lamp was produced by the renowned Bergman foundry. Franz Xaver Bergman, known for his highly detailed and vibrantly enameled bronzes, specialized in Orientalist and exotic subjects. The lamp bears the Bergman foundry mark, confirming its origin and high-quality casting. Large-scale pieces of this caliber from Bergman are exceedingly rare, as the majority of his works were produced in smaller sizes for collectors. This particular example, with its imposing height and elaborate architectural elements, represents one of the most ambitious compositions from the foundry, making it a highly sought-after and difficult-to-acquire work. The back is signed with an impressed "B".
The lamp features an elaborate mosque-inspired architectural scene, complete with a towering minaret, a domed roof adorned with a crescent finial, and intricate geometric detailing. The base replicates rugged stone steps leading to an arched portico supported by two twisted green columns. A figure clad in traditional garments kneels in prayer on a polychrome rug, positioned before a recessed alcove draped with a sculpted fabric curtain. Above, a suspended lantern element completes the scene, emphasizing the piece’s function as a lamp. A large red fabric canopy, stretched over wooden poles, extends from the side of the building, enhancing the three-dimensional effect of the composition. The walls feature finely sculpted lattice windows and engraved inscriptions, adding to the architectural authenticity.
Bergman’s cold-painted bronze technique involved applying vibrant polychrome enamels directly onto the cast bronze surfaces without firing, resulting in richly detailed and lifelike coloration. Given the scale of this piece, the level of detail and preservation of its cold-painted surface is remarkable. The Bergman foundry was celebrated for its Orientalist works, catering to European collectors captivated by Middle Eastern and North African themes. Large-format Bergman pieces such as this are incredibly scarce, as most were produced in far smaller sizes due to the complexity and cost of production. This rare example stands as a testament to the foundry’s technical and artistic excellence, offering an unparalleled representation of Orientalist bronze sculpture.
Austria, Circa: 1890
- Creator:Franz Bergmann (Maker)
- Dimensions:Height: 29 in (73.66 cm)Width: 13 in (33.02 cm)Depth: 8 in (20.32 cm)
- Style:Moorish (In the Style Of)
- Materials and Techniques:Bronze,Cold-Painted
- Place of Origin:
- Period:
- Date of Manufacture:1890
- Condition:Wear consistent with age and use.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU919543899202
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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