Marbro Pair of Custom Monumental Marble Chess King and Queen Lamps, 1960s

The Marbro Lamp Company was one of the finest lamp producers during the mid-1900s. Its pieces were mainly sold in a handful of exclusive furniture shops. Marbro was the go-to supplier of Hollywood Regency and mid-century modern style lighting for interior designers. Its table lamps, chandeliers, floor lamps and wall sconces have graced the homes of many celebrities. 

Brothers Morris and Elliott Markoff founded the Marbro Lamp Company in 1934. Its name is a combination of “Markoff” and “brothers.” The brothers relocated from Chicago to southern California after the end of World War II and set up an assembly plant in the garment district of Los Angeles. 

Vases and objets d’art, sourced from all over the world, were used as lamp bases. The brass bases came from India, alabaster from Italy, porcelain from Japan and China and crystal from Germany and France. Murano glass and whimsical bronze figurines were two of the more popular base materials. 

Marbro lamps were one-of-a-kind and took between 75 and 90 days to complete. Occasionally, they were made from sculptures that customers brought into the factory. Highly skilled woodturners and shade-makers crafted lampshades and wooden bases in Marbro’s shop. Some metal and glass pieces went through paint or staining treatments. The company’s best-known products were these table lamps, but it also produced a wide variety of decorative objects. 

The Masco Corporation acquired the Marbro Lamp Company in 1987. Its Los Angeles assembly plant shuttered its doors in 1990. Its equipment and remaining inventory were moved to LaBarge Mirrors — a Masco subsidiary — in Michigan. Shortly after, the production of Marbro lamps ended.

On 1stDibs, find vintage Marbro Lamp Company lighting, decorative objects and more.

Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.