No Fire Unique Lamp by Koen Van Guijze

Unique Genesis el Pensamiento bronze sculpture by Jean-Baptiste Van den Heede Unique piece signed and numbered Dimensions: L 34 x D 8 cm Materials: bronze Other sizes and materi...

Unique Stoneware Glaze sculpture by Lisa Geue Dimensions: D 11.5 x W 12.5 x H 25 cm Materials: Stoneware Glaze Non-functional. Lisa Geue works p...

Unique II Stoneware sculpture by Lisa Geue Dimensions: D 11 x W 12 x H 18.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lisa...

Unique III Stoneware sculpture by Lisa Geue Dimensions: D 12 x W 10 x H 21.5 cm Materials: Stoneware with Chamotte, Porcelain Slip, Kaolin, multiple firings Non-functional. Lis...

'Waves No 370' is a beautifully crafted, handblown glass bowl by the British artist, Neil Wilkin. 'Waves' is a collection of beautifully crafted, unique glass bowls and centrepieces by the British artist Neil Wilkin. Taking a painterly approach, Neil Wilkin merges his colours to create a larger palette of soft hues. Utilising both transparent and opaque glass adds to the soft aesthetic of each piece adding an ethereal effect. Since graduating in 1981, Neil Wilkin has used his skills to produce exquisite, luxury glass from his workshop. Clients from every sector include individuals, interior designers, property developers, architects etc. Companies include -Thomas Goode, The Grove, Asprey, Liberty, Cunard, Disney, Grosvenor Estate and Four Seasons. His specialist restoration skills earned him coveted commissions including the ‘blanks’ for the Royal Windsor Castle fire damaged chandeliers and speciality working with international artists to make their own artworks. Is his own words: ‘As a child I wanted to be a geologist. My father introduced me to materials and science by bringing home as many different elements as he could and I remember shiny metals, black carbon and vivid yellow sulphur. The geology beneath our feet shapes and colours our environment in every way. From the rusty iron of the red Australian outback, to the sunshine on the ground which drives our weather, not least the rain in the verdant Welsh hills where the folded rocks turn everything upside down, and we have a pool at the top of the hill. It was colour and heat that first pulled me towards the furnace at college. I had gone to work with my hands as a potter, and left obsessed with fire and glass making. I just enjoy making whether building a shed or a furnace or making things grow in the garden there are not enough hours in the day to do all the making I need to do. Since Rachael (Woodman, fellow glass artist) and I started our first workshop in Bath, 1984, my making skills have developed by realising the ideas of others, and in the 'melting pot' of many visiting artists I got my fix of glassmaking and colour. Over the last 10 years I have travelled and worked with different materials and methods, but I find myself more at home back in front of the furnace. When I blow glass the colours in glass behave like layers of rock. Hard and soft, absorbing and transmitting heat just as they do light...

A stoneware vase by Paul Chaleff (1947-) made in 1984. Chaleff is known for his wood fired ceramic vessel without glaze or sometimes natural ash glaze. The vase on offer is of a highly geometrical form with handcut multifaceted lower body that rises and morphs into a rounded upper body with two hand-molded ears above the shoulder. The surface shows nice firing color variations due to the iron oxidation in the kiln and also carved lines left intentionally by the artist. It is marked with the artist's incised signature and date 84. This piece has a very strong Japanese wabi-sabi appeal which is the aesthetic influence of the artist's work and makes a visually arresting center piece for any interior. "Paul Chaleff is known for his large-scale wood fired ceramic sculptures and vessels. He also created a large body of wheel thrown functional vessels. His vessels are strongly influenced by Japanese pottery, especially the work of one of Japan’s National Living Treasures, Takeshi Nakazato. Chaleff was one of the first American potters using a Japanese style Anagama kiln and became a leader in the introduction of this form of wood-burning kiln. In 1989, he began a regular collaboration with the British sculptor Sir Anthony Caro. Over a period of thirteen years, they created nearly 50 works, both figurative and abstract. Caro’s sculpture has had direct influence on Chaleff’s work as has the sculpture of Isamu Noguchi, and the ceramics of John Mason...

Temptation I, is a hand-blown glass sculpture by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British) Incorporating an outer form in clear and pink glass which contains a multitude of white glass canes and candy-colored, glass hundreds and thousands. The piece is topped with a glass cherry with a silver sterling stem...

Beautiful covered urn by Tyra Lundgren for Rorstrand, Sweden. Created for the 1930 Stockholm Exhibition that showcased Sweden’s most modern achievements in the design at that time. Cherubs with fish...