Pair Glass Lamp Prototypes by Ugo La Pietra for Poggi

A pair of outstanding Murano lamps probably by Seguso. Heavy, with twisted cased glass decoration and gold flecks inside.

A pair of stylish pink or lavender Murano vintage glass lamps. With white swirls and original bases the lamps measure approximate 7.5" D and 20.5" H to the top of glass bases. Shades...

A great pair of architectural, mercury glass lamps.

Pair of Martz Table Lamps by famed ceramicist duo Jane and Gordon Martz for Marshall Studios. Lamp bodies are a rose/ blush color with tan incised stripes. Measures: Overall: 13.5”...

Sculptural table lamp by Ugo Zaccaganini with a wonderful robins egg blue light crackled glaze with original rosewood cap and base.

An Arcangelo Metropolitano floor lamp, designed by Ugo La Pietra. in 2007, for Lumen Center, sculptural construction on a painted metal base, wings in transparent methacrylate hand-d...

Ugo La Pietra (né en 1938). Lampadaire Arcangelo Metropolitano Métal et méthacrylate peint Signé ‘Ugo La Pietra’ sur la base Lumen Center Prod. Date de création : 1977 Measures...

Table lamp or desk lamp model 546 with lampshade in lacquered aluminum, stem in chromed brass, base in lacquered cast-iron, and opaline glass diffuser. This lamp was designed by Gio Ponti and manufactured by Ugo Pollice Illuminazione during the 1940s. Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in Fine furniture and ceramics, education, office and residential buildings, and everything in between. Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...