Pair of French 19th Century Neo-Classical St. Patinated Bronze Urns Lamps

A very handsome pair of French 19th century Neo-Classical st. patinated bronze lamps. Each is raised on a square base with moulded wreath designed socle above. The patinated bronze t...

A very handsome pair of French 19th century neo-classical St. patinated bronze and Vert de Patricia marble lamps. Each lamp is raised by a fine circular Vert de Patricia marble base ...

A beautiful and high quality true pair of French 19th century Neo-Classical st. patinated bronze and ormolu lamps. Each lamp is raised by fine patinated bronze and ormolu bases with ...

A very handsome French 19th century Neo-Classical st. patinated bronze and ormolu vase mounted into a lamp, signed E. Picault. The lamp is raised on ormolu ball feet below the circul...

An impressive and large scale French 19th century neo-classical st. patinated bronze and ormolu lamp. The lamp is raised by an elegant square ormolu base with a fine mottled border b...

An attractive pair of 19th century French Neo-Classical st. patinated bronze and ormolu candelabras mounted into lamps. Each lamp with an ormolu base supports the patinated bronze pe...

A pair of 19th century bronze patinated classical urns signed F. Barbedienne. Custom made into lamps.

Beautiful pair of 19th century neoclassical bronze urns with classical Roman figures and partial gilt made into lamps. Attributed to Barbedianne.

These are beautiful! This is a pair of French neoclassical style white porcelain lamps with gilt and gilt bronze accents. The wiring is new, and I believe they are signed up inside t...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A good quality pair of classical late 19th century bronze lamps, each with raised decoration of children playing beneath swags, vine leaves a...

Fine pair of period Empire table lamps, of gilt and patinated bronze, each having an urn, centered by a lyre, ribbons, and laureling, its foliate-chased neck and shoulder are flanked...