Pair of French 19th Century Restauration Period Candelabra Lamps

An impressive and high quality true pair of French 19th century Restauration st. patinated bronze, ormolu, and black Belgian marble candelabra lamps. Each five arm lamp...

A stunning and monumentally scaled true pair of French 19th century Louis XV st. Belle Époque period ormolu and patinated bronze candelabra lamps...

A stunning and extremely high quality true pair of French 19th century Louis XVI st. Belle Époque period patinated bronze and ormolu candelabra lamps possibly by Henri Picard. Each e...

A striking large scale true pair of French 19th century Louis XVI st. Belle Époque period ormolu candelabra lamps. Each seven arm lamp is raised by an elegant triangular shaped base ...

An exquisite pair of French 19th century Louis XVI st. patinated bronze, ormolu and Vert de Patricia marble candelabra lamps. Each lamp is raised by an elegant circular base with fin...

A most elegant pair of French 19th century Louis XVI st. silvered bronze, ormolu and marble three arm candelabra lamps. Each lamp is raised by fine ormolu ball feet below a rectangul...

Adorable pair of French candelabra adorned with clusters of glass fruit and droplets. Brass plate sconces are now U.S. electrified with two lights...

Pair of candlesticks, of patinated and dore bronze, each having five scrolling candlearms, raised on tripartite base; lamped. Stock ID: D9163

Pair of 19th century finely chased French doré bronze candelabras converted to lamps. The base diameter is 9 inches. The shades are included and are handmade of parchment paper. They...

A pair of very fine quality 19th century brass candelabras, now converted to table lamps. Professionally re-wired. These have their ori...

Pair of gilt and patinated bronze Restauration period candelabra lamps The upper part in antique urn, the arms with acanthus leaves, resting on a tripod base with claw feet surmount...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...