Pair of Japanese Style Gilt Bronze and Cloisonne Enamel Lamps

These beautiful oil lamps were created in France in the late 19th century. They are designed in a wonderful chinoiserie style—a European take on Chinese decorative arts. The lamp...

Pair of French Chinoiserie style faience, glass, and gilt bronze lamps French, late 19th century Measures: Height 75cm, diameter 18cm Each lamp in this pair is wrought from exqu...

These beautiful table lamps have been attributed to Joseph-Théodore Deck, one of the most important ceramicists of the 19th century. Deck was the director of a prestigious faience workshop which was based in France. He was well known for his high-quality ceramic wares, which were often designed in Islamic and Chinese styles. The lamps are designed in a Persian manner. Each lamp is fitted with a gilt bronze (ormolu) light fixture which holds two bulbs. The lamps' bodies are crafted from faience (tin-glazed earthenware) and feature cylindrical necks and bulbous lower bodies. These bodies are decorated with stylised flowers, leafy vines, and Persian script...

Gilt bronze table lamp in the Rococo style French, late 19th century With shade: Height 65cm, diameter 55cm Without shade: Height 49cm, width 25cm, depth 17cm This wonderful Ro...

A pair of gilt bronze lamps in the French Restauration style (fitted for electricity) Quantity: 2 Measures: Height 22.75 in. (57.7 cm.), Width 7.125 in. (18 cm.).    

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

Decorated with tracery arches and medieval characters and raised on scrolling legs ending in a tripartite concave base. With glass globes. Electrified.

Pair of marble and gilt bronze table lamps, signed F. Barbedienne. France, circa 1880-1890. The dimensions are without the shade.