Pair of Table Lamps Made of Solomonic Columns, Wood and Metal, Late 17th Century

"Child Jesus". Carved and polychrome wood. Spanish school, 17th century. Base or pedestal made later. Christ is presented naked, with a slight contrapposto on the legs and hips that...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...

Late 19th century pair of metal column table lamps with ormolu mounted capitals on stepped square bases with a black gloss finish.

A magnificent late 17th century French faience Nevers vase, of baluster form, decorated throughout with wonderful chinoiserie details in tones of blue and manganese on an off-white b...