Patinated Marly Horses Mounted as Lamps, Pair

Chinese Blanc de Chine Vase Mounted as a Lamp, with pomegranate appliques to the neck and floral and swan motif to center, mounted on giltwood base. Overall: 21" H x 11.25" W x 7.75"...

Chinese Cloisonne Two Handled Urn Mounted as a Table Lamp, chrysanthemum motif, figural creature handles. 30.5" H x 17.25" Diameter. Provenance: From a New York City Collection.

Pair of Japanese Satsuma Porcelain Vases Mounted as Lamps, figural group design with gilt accents, on ebonized bases. 24.5" H x 5.75" Diameter. Provenance: From a New York City Colle...

Pair of Chinese Porcelain Ovoid Vases Mounted as Lamps, featuring intricate painted designs of pine trees and herons. The vases have a rich red background that highlights the detaile...

A good Mid-Century Modern painted plaster Tang dynasty style horse, on a black plinth with brass rods supporting a custom box shade. Very Hollywood Regency and Billy Haines style. Th...

A pair of Regency gilt and patinated bronze candlesticks now mounted as lamps on circular Siena marble bases, early 19th century. Unusual model. The Regency era of British history officially spanned the years 1811-1820, though the term is commonly applied to the longer period between c.1795 and 1837. King George III succumbed to mental illness in late 1810 and, by the Regency Act 1811, his eldest son George, Prince of Wales, was appointed prince regent...

A fine pair of empire patinated & gilt bronze Candelabre, mounted as lamps 1st quarter of the 19th century Each reeded stem above drum base relief-cast with four putti on leaf-b...

A Pair of Néo-Grec Parcel-Gilt Patinated Bronze Vases Mounted as Lamps, Cast by Ferdinand Barbedienne, from the Model by Henry Cahieux. Each vase is finely cast with herm-headed handles flanking a slender elongated neck above a tapering body relief-cast with classical figures and anthemion, raised on a square Belgian black marble bases. Cast signatures 'F. BARBEDIENNE FONDEUR.' and 'HENRY CAHIEUX'. This model of vase was exhibited by Barbedienne at the 1855 Paris 'Exposition Universelle' to great acclaim. They were illustrated in the Exhibition Catalogue alongside a classical revival tripod. The pair of vases together with another were described as follows: The two vases (...) selected from many exquisite and beautiful decorative works in bronze from the atelier of Messrs. Barbedienne & Cie, of Paris; they are formed, and ornamented, on the best models of the ancient Greek. The tall slender shape of the vases with their elongated necks and a flaring mouth, in the form of anamphora with two handles, is derived from ancient Greek Loutrophoroi, which were ceremonial vases...