Rare Empire Ormolu and Tole Bouillotte Lamp

The standing draped female figure carrying a torch surmounted by a light locket, raised on a circular base with a laurel wreath border above a square plinth. Electrified with silk cu...

The rectangular base decorated with a wheat and foliate frieze and raised on four ball feet, the goddess of agriculture Ceres standing while leaning against a Roman chariot with harv...

Very nice quality, French, Louis XVI style gilt bronze Bouillotte lamp with green painted tole shade, (19th century). The lamp features nicely chiseled acanthus leaves, garlands, cen...

French empire pair of candle holders lamps. Exceptional pair of antique candleholders, created in Paris France during the imperial period of Napoleon III, circa 1870. They was designed with French empire neoclassical patterns, masterfully crafted with parts made up in gilt bronze ormolu and patinated bronze. Mounted in fluted columns pedestals carved from gray dotted Granite, with polished finish. Embellished with garlands and putties mounted in a four square and stepped bases. Weight: Combined of 12 Pounds (5.45 Kilos). Measurements: 15 Height by 4.50 Length by 5.15 Width Inches, (38 x 11.43 x 13.08 Cm). French Empire Louis Napoleon Bonaparte (1808-1873) was Emperor of France from 1852 to 1870 under the name of Napoleon III. In a way, the artistic codes of the Napoleon III style, also called Second Empire style, were presented at the Exhibition of 1844, during the reign of Louis-Philippe d'Orléans. The second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Comfort was the first priority of Second Empire furniture...