Sea Green Red Flecked Cullet Glass Lamp

Pair of artisan blown organic pear-shaped nickel lamps. This glass texture and color imbues a reflection of light on water in a beautiful sea green blown glass. Electrified to code ...

This refined pair of table lamps were handblown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. They sculptural undulating cylindrical bodies in handblown reeded Murano glass offering an elegant emerald green hue and imbued with an abundance of 24kt gold flecks that gives the glass an alluring iridescent sheen. The lamps display dramatically peaked concave bases. Ascending from the sculptural Murano bases are stacked orbital forms separated by translucent gold hourglass...

This stunning pair of table lamps were handblown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. They feature undula...

Just in this wonderful pair of Murano Glass Table Lamps in Green & Gold Flecks on Gilt Wood Base,. This pair has a mouth blown Twisted bulbous bottom and a twisted candle like top. T...

This is a gorgeous lamp in ceramic with beautiful gold flecking. The lamp has the original shade and is 37" high.

Exquisite pair Venetian glass with gold flecks design details table / task lamps. Each lamp is in great working condition. Rewired for US use. Maker's mark undersigned. No special li...

Italian Murano glass pair of table lamps. Ridged "avventurina" glass continues throughout these beautiful lights, which are rewired for the US. The height to the top of the glass is ...

This stunning pair of table lamps were handblown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. They feature tear d...

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels. His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry. Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth. Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.” Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object. Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...

A pair of beautiful and rare to find Murano glass, pink/lavender table lamps with gold flecks. Ca' 1950s, most likely by Barovier, with original harps/w...