Stiffel Tall Sculptural Brass Table Lamp

When Ted Stiffel (1899–1971) founded Stiffel in 1932 in Chicago, he wanted to make functional, thoughtfully designed table lamps, floor lamps and other fixtures that were available at an accessible price. Born in Memphis, Stiffel first pursued a career in music before serving in World War I. After his discharge, he worked with the Western Electric Company in Chicago and then the Nellie J. Kaplan Company, a lighting firm also in the Windy City.

After he started his own lamp business, Stiffel began supplying area department stores and by the 1940s had opened a large factory that was producing lamps for nationwide sale, eventually competing with the likes of the Frederick Cooper Lamp Company, also based in Chicago.

In 1948, designer Edwin J. Cole joined the company and created some of the firm’s most striking table lamps. Today, Cole’s vintage mid-century modern lighting fixtures for Stiffel, frequently with distinctively tall and shapely ceramic bodies and finished with decorative brass chinoiserie details, are highly prized by collectors.

One of Stiffel’s innovations was his patented switch, which simplified turning lights on and off: All someone had to do was grasp a lamp’s pole and gently pull down. He also designed a pole lamp with a vertical tube that held a series of fixtures on the outside. The upright pole lamp was so innovative that Sears, Roebuck and Company copied it. Stiffel sued, and the case ended up in the Supreme Court in 1964. The ruling against Stiffel was influential in whether states can give a patent to objects that do not have the invention required of federal patents.

After declaring bankruptcy in 2000, the brand was revived in 2013 in Linden, New Jersey, where newly produced high-quality lamps carry the Stiffel name.

Find a collection of vintage Stiffel lamps and other lighting for sale on 1stDibs.

Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.