Table Lamp Attribuite to Fontana Arte

Max Ingrand project, 1954, for Fontana Arte, Italy, white satin glass, small brass seal in the vase, metal base, white lacquered. Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti. The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...

Fontana Arte Floor Lamp, Italy 1940.This is an elegant Italian Fontana Arte floor lamp, characterized by its timeless and sophisticated design.

This is a striking mirror with console designed by Fontana Arte, dating from 1970s Italy. The design showcases the bold elegance typical of the era and the craftsmanship that Fontana...

Fontana Arte pale transparent shallow concave dish mirror designed by Max Ingrand. A round wall mirror by Max Ingrand for Fontana Arte, Italy. This model '1669' mirror from the 1960...

Pugno model table lamp in stainless steel and Richard Carruthers lacquered metal for Fontana Arte 1971.

Rare table lamp attributed to Pietro Chiesa for Fontana Arte, circa 1935-1940. Saint Gobain glass base, brass and enameled metal. Original clear bent glass two-piece shade. Entirely ...

1970's Glass lamp attributed to Fontana Arté Italy one very little cheap on a low base feet Very good overall condition

Early (attributed to) Fontana Arte two-light table lamp, with a brass stem. Flanked by two glass-plates etched with a floral motif. The lamp is in vintage condition, there is a small...