Tiptoe table light by Robert Stadler

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand-painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand-painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

For the OMG-GMO project, Robert Stadler borrows the forms of these engineered fruit and vegetables to create ten ceramic, hand-painted objects that ironically transform the organic into something structural and functional. Conceived as a series of small-scale monuments, these objects both criticise and mock human manipulation of nature: a slice of a Japanese rectangular seedless watermelon becomes a stool, zucchini bend in a perfect L shape to create a set of shelves, and wheel-like aubergines support a glass coffee table, as a reference to Gae Aulenti’s Tavolo...

Table lamp by Robert Bulmore in black enameled iron, brass hardware, and two cylindrical shades of white, opaque glass. Each light has its own on/off switch.

Sculptural bronze table lamp by Robert Phandeve, France 1970's. The biomorphic shape is close to the sculptures by Barbera Hephworth and Henry Moore. Dimensions base; 13 x 23 x Heigh...

Impressive and tall ceramic table lamp made by Robert Perot, stamped on the back with his manufacture name "VIEUX MOULIN VALLAURIS". In his early years Robert Perot worked on the restauration of the Reims cathedral, this influence is clear when we see how the main decor of this lamp reminds us of the stained glass frame we can find on such monuments. ROBERT PÉROT (1931-2003) Robert Pérot is a ceramist and a sculptor from the golden age of ceramics in Vallauris who pursued his studies at the School of fine Arts in Reims from 1946 to 1949, specializing in sculpture. During this period, he encountered influential figures such as Jean-Claude Malarmey and Dominique Baudart. While working with stone, the young artist contributed to the restoration of the Reims Cathedral. Gifted with a talent for drawing, he further honed his skills in Paris at the Académie de la Grande Chaumière. Following his Parisian studies, he assumed the role of the molding workshop at the Champagne-Provence pottery...

Adjustable stem for height and swivel cube for direction makes this lamp perfect for a desk or bookshelf, on the base you can see the faux wood laminate.