Tony Paul for Westwood Studios Brass Lamp

An antique brass fire extinguisher repurposed into a table lamp. Fluted shade included. Electrical socket in working order. Made by The...

Turned walnut hourglass table lamp in the manner of Phillip Lloyd Powell. Circa. 1960. Beautifully grained walnut with nice glow to original finish. Brass base has some tarnishing. O...

A Marbro turned green glass table lamp retaining its original lamp shade with Greek key design. Excellent original condition. Base measures 7' diameter. Marbro Lamp Company The company was founded by Morris Markoff and his brother, hence the name Marbro from Markoff brothers. They started the company shortly after WWII. The company was located in a 3 story brick building in the garment district of Los Angeles, just south of Downtown right by the Santa Monica Freeway. During the time they ran the company, they sold almost as many antiques as they did lamps. They also had a sizeable business in decorative accessories such as tables and a lot of animal figurines. There were quite a few dog figurines that were life-size. One dog figurine was a life-size Great Dane purchased by the actor Jack Webb who starred as Sgt. Joe Friday in the 1951 TV hit series, Dragnet. There were quite a few celebrities that came in to their shop. One actress who shopped there repeatedly was Deborah Shelton who at the time played the part of “Mandy” on the TV series Dallas (remember J.R.). Marbro sold their products mainly through interior designers and a few upscale furniture stores. You would not find a Marbro product in a chain furniture store or a discount store. Most of the products were built to order. A typical order from a designer or retailer took between 75 and 90 days to complete. Most of the components that made up the lamp bodies (ceramic, brass, glass, etc) were purchased from small companies around the world. In the later years almost all of the brass came from India. For the most part, none of the bodies were made on site. Marbro was well-known for importing a variety of unique lighting components from all-over the world. Italy was the source for alabaster, Japan and China for Porcelain, Brass in India and Crystal from Germany and France. Lamps would also be made from sculptures that customers brought to in to the shop. Once the lamp bodies arrived, a group of Marbro employees would make the wood bases, spin the metal caps, make the shades, and do the painting and tinting. With the help of about 20-40 other true world class artisans, metal workers, finishers and handmade shade makers, they produced lamps and shades that were truly some of last of their kind of art. For example, Marbro brass was never just plain brass. It was stained with a tinting that was homemade and kept secret by the company which is reminiscent of the Handel Lamp Co. of the early 1900s. There were quite a few of these preparations all kept in one of those little metal boxes on a 3 x 5” file card just like a recipe. It was truly a unique method of making lamps. Many of the lamp bodies that the company bought were not exactly matched as pairs. Sometimes 10-20 crystal vases would have to be sorted through to get 2 of the exact same height so that if the lamps were purchased as a pair, they would match. All of the shades were made by hand by a group of women on the second floor of the building with very little automation. The manufacturing plant was closed in Los Angeles in December 1990 and the inventory and equipment were moved to Labarge Mirrors in Holland, Michigan. At the time Labarge Mirrors was a Masco Corp subsidiary. Some time later, the Marbro product line was discontinued. Eventually, Masco sold most of their home furnishings manufacturing holdings. Marbo assembled a very talented, experienced and unique group of artists and craftsmen and many of their Fine lamps exhibit a certain unique signature style. Most of the employees were in their 50’s and older. There were quite a few employees in their late 1960s and 1970s. Today their lamps are collectible and sought after especially by certain knowledgeable collectors who are familiar with the company's lamps and history. Many of Marbro lamp are commonly referred to as “Hollywood Regency” style. This rather lavish style of decorative arts is currently in the midst of a tremendous and accelerating revival. It is obvious from the company's careful selection of art objects and their unique proprietary methods of lamp making that their goal was to design beautiful unique and very high quality lamps. Their success is obvious from the very Fine collectible Marbro lamps that are still sought after today. Marbro lamps present a particular appraisal Challenge due to their very unique style and market conditions. Generally, there are fewer collectors of Marbro lamps as compared to many other lamp companies of the 1900 - 1950’s era. This in no way devalues your lamp but implies a special category of a more limited number of buyers and collectors. During the 1950s, Marbro sold to many very affluent customers including movie stars and others connected to the film industry. Their lamps were considered very exclusive and definitley high end for that period. The key to selling vintage Marbro lamps...

A vintage pair of bamboo table lamps retaining their vintage lamp shades. Excellent vintage condition with light wear to shades. Base measures 7.25...

Prepare to be mesmerized by this jaw-dropping pair of Tony Paul table lamps—truly, the finest example of his design brilliance I’ve ever seen. These lamps are seriously something special, and they come with a history as glamorous as their aesthetic, having once belonged to a member of the Getty family. Yes, those Gettys. Standing an impressive 25" tall (and even taller with their shades), these conical beauties are crafted from solid ebonized walnut paired with Swedish brass. The base of the lamp starts wide at the bottom, with several inches of the trunk wrapped in gleaming brass. Then—surprise!—the rich, black walnut peeks through as it tapers upward, leading to an astronomical moment: a brass ellipsis that balloons out like a planetary orbit. Honestly, it's a sight to behold, like some celestial dance of design. As the brass curves inward, the cone tapers out again, returning to that striking ebonized walnut neck. The contrast between the bold black wood and the glowing brass is absolutely chef’s kiss—it’s the kind of design that screams "luxury" even if you’re not well-versed in the world of high-end lighting. Topping these celestial wonders are 11" tall x 15.75" in diameter ivory lampshades, perfectly completing the look with their understated elegance. Oh, and don’t miss the brass finials at the top—they’re the cherry on top of this mid-century modern masterpiece. The lamps come with their original harps too, making them ready to steal the scene in any room they’re placed in. As for condition? Both lamps show a beautiful patina on their brass—one of the ellipses has a bit more than the other (as seen in the photos), but honestly, that just means it's been loved a little more. They still make a fabulous pair, and their vintage character only adds to their charm. Now, let’s talk about Tony Paul—the genius behind these lamps. A true icon of mid-century design, Paul was known for his clean, minimalist approach that perfectly balanced form and function. Whether working with wood, metal, or glass, his designs always had a certain warmth and elegance that made them stand out. His work ranged from furniture to lighting, but it’s his lighting designs that really defined the mid-century aesthetic. He had a knack for combining organic materials with sleek, modern lines, which made his pieces both timeless and versatile. Paul collaborated with several companies throughout his career, but one of his most notable partnerships was with Westwood Industries, a leading lighting manufacturer of the time. Known for producing high-quality lighting that exemplified the mid-century modern aesthetic, Westwood became the perfect platform for Paul to showcase his talent. Westwood lamps, like these, were crafted with an eye for both detail and durability, often using premium materials like Swedish brass and fine hardwoods, making them highly sought-after by collectors today. These lamps are not just lighting—they’re art, they’re history, they’re conversation pieces waiting to transform your space. Whether you’re a mid-century modern purist or just someone who appreciates incredible design, these Tony Paul lamps...

Tony Paul for Westwood Industries Cone Table Lamp in Swedish Brass & Solid Walnut. Circa 1960. Featuring a sleek conical form in walnut and reflective bright brass. 21H to top of so...

Substantial Tony Paul for Westwood Studios attributed, Walnut and Brass Table Lamp, circa 1960. Featuring a smooth turned Walnut bowling pin form, heightened circular base, rounded B...

Voguish, chic and sophisticated table lamp having an organic wave like pattern on its cylindrical body with a cone form upper section which houses three sockets. The base is base met...