Bronze Furniture

Louis XVI, Small Oval Mirrors, Bronze, Carved Wood, Floral Motif, France, 19th Century Chic pair of small oval mirrors each heavily cast in bronze with a floral and foliate motif su...

Tiffany Studios New York patinated bronze and Favrile glass floor lamp. Splayed legs with spade shaped feet.

This listing features a pair of patinated bronze cherub ornamental vases in an Art Nouveau style of decoration. The vase is made from bronze with a marble base, which would be gorgeo...

Classic Italian sculpture Antonio Frilli Origin Italy Circa 1900 Reason: Beatrice Artist: Antonio Frilli (1860-1920) Mterialies: Alabaster W...

circa 1900’s Caldwell leaded glass light fixture with 8 interior lights

A French Louis XVI style mahogany and gilt-bronze mounted "Marie Antoinette Style" Medallion Server Commode, after a model by Benneman & Stökel, The gilt-bronze panels after a model ...

Art Nouveau bronze lamp with lady by Ferville Suan, patinated bronze with glass shade signed Degué. Founders signature Lebrun. Orange, blue an...

A Very Fine French 19th Century Louis XV Style 'Belle Époque' Ormolu Mounted and Kingwood Parquetry Single-Door Bombé Vitrine Display Cabinet, by Alexandre Hugnet (French, active la...

A Magnificent and Rare Antique French Galle Signed Cut-Cameo Lamp with Original Signed Galle Cut-Cameo Shade, in Red and Yellow Sunset Colors. This floral motif Galle lamp is made in the art nouveau style with two-toned deep red flowers on a base and shade. The sharp edges of the floral design, which is all hand-carved, complement the smooth round mushroom-shaped shade and base. The rounded shape and delicate hand-carved glass of multiple colors and hues is a signature of Galle lamps. They typically form a cap-like shade over the thin tourine base. Another important feature of the lamp is the rounded finish on the rim, the glass is smooth at the rim—a sign that the lamp is authentic. This lamp exudes the soft romanticism of Art Nouveau. Gallé was a prominent glassblower and one of the most influential figures in the French Art Nouveau movement. Specializing in floral glassware...

Pair of circa 1900's English etched glass lanterns with interior lights and original patina. Sold individually. Measurements: Present drop: 24" Height of body: 16"(smoked glass to b...

Imagine a small but enchanting Italian bronze sculpture that captures an unexpected moment of nature's beauty. It's a delicate portrayal of Two Mating Pigs, created by a skilled 20th...

This stunning patinated cast bronze harp top base has a beautiful Daum Nancy acid etched shade. The single socket base features floral detailing and is unsigned. The acid etched carv...

Pair of early 1900's English bronze lanterns with 2 interior lights. Measurements: Height: 20" Width: 14" Depth: 8"

Turn of the century Dutch pewter and brass 6 lights chandelier with original patina. Measurements Minimum drop: 24" Diameter: 22"

Tiffany Studios New York patinated bronze and Favrile glass floor lamp. The lamp has a green "damascene" shade with iridescent decoration suspended within a harp base...

Antique Bronze Ganesha Seated Meditation 4 Hands Hindu Ganapati Sculpture of Ganesha, also known as Ganapati, is a revered Hindu deity widely worshipped as the remover of obstacles a...

A fine French 19th century Louis XVI style ebonized gilt bronze-mounted tulipwood, kingwood and fruitwood floral marquetry single-drawer center table, desk or writing table. The ornately decorated marquetry top, centered with a floral bouquet, butterflies, scrolls and acanthus. The raised on four fluted ebonized legs surmounted with gilt-bronze spigots...

Painted bronze sculpture "Sacrifice of Cleopatra" by Franz Bergmann (1861-1936) signed Nam Greb, Austria, early 20th century.

Very unique and large bronze elephant sculpture. It is very skillfully done with a lot of nice details. A great accent piece for any room. Heigh...

This very nice and decorative chandelier. is made of cristal and bronze. This is a French work in the Louis 15th style. Circa 1900

Liberty sculpture in Bronze and marble. French-Austrian sculptor, Friedrich Solomon Beer (1846-1912) Friedrich Salomon Beer (1846-1912) was a promin...

Bronze and slag glass Tiffany jewelry box. Art Deco period. United States circa 1900. Signed in the back "Tiffany Studios New York 821".

A very handsome antique French Animalier bronze greyhound sculpture, paperweight, circa 1900. The bronze in the style of Emmanuel Fremiet, mad...

An exquisite and very grand French Ormolu picture frame dating to circa 1900. Made from bronze and smothered in gold, the cream silk taffeta below the glass is mounted with a gilded ...

A classic and opulent crystal and gilt bronze Louis XVI-style vase, its goblet-shaped heavy crystal bowl diamond cut and fluted to refract the light...

A fine French 19th-20th century Louis XV style gilt-bronze mounted tulipwood chinoiserie marquetry two-drawer bombé commode with a veined rouge royal marble top. The serpentine shape...

With the following features: Swiss watch movement, 8 day, calendar, and moon phases.

Superb pedestal / side table in mahogany with double trays. Each foot is decorated with a bronze shoe / hoof with a floral motif (clematis or orchids). Art Nouveau, France, circa ...

A circa 1900 French three-arm Empire style chandelier with original finish and patina. Measurements: Drop: 22.5" Diameter: 15"

This elegant pair of all crystal sconces have beautiful cut crystal arms and star-shaped candle cups. In the center, a third-arm rises upon which draped crystal beads accent the cent...

A French Regency Revival 19th/20th Century Transitional Louis XV/XVI Style Gilt-Bronze Mounted Kingwood and Tulipwood Parquetry Five-Drawer Commode with Marble Top. The bombé serpentine...

A fine French 19th-20th century Régence style gilt bronze mounted tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 1686-1759) and ...

A Marvelous and Quite Impressive French Orientalist Hand-Carved and Hand-Tooled Camel Form Table with a Square Gilt Bronze Top, Attributed to Jansen. This camel table showcases intri...

Extraordinarily spectacular chandelier from the Art Nouveau period from Austria, probably a product of the D. Hollenbach ore foundry and bronze goods factory, Vienna. The special fe...

This incredibly beautiful table display case is an original from the Art Nouveau period in France in the 1900s. The exceptionally high quality of the showcase is reflected in the w...

Wonderful signed patina bronze sculpture by Juan Clara Ayats on an onyx base of two girls playing with a chair, Spanish artist (1875-1958).   

Antique American Mission oak library table or desk and matching chair, L & J.G. Stickley, circa 1902. The table and chair are made of solid quarter sawn oak, the table with an overha...

Jugenstil rare frog shaped bronze lamp Austria 1900s ca. Patinated bronze naturalistic frog-shaped base, hammered brass cap with polychrome cabochon inserts H 25 cm × 24 cm × 17 c...

This stunning Neoclassical Gilt Bronze Mantlepiece Clock by Sterling Bronze Co. originates from the United States, Circa 1900. This clock is a fine example of Neoclassical design, fe...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

A circa 1900 English pierced bronze lantern with etched glass inset and red jewels. Measurements: Current drop: 32" Width: 11" Depth: 7"

A circa 1900 French gilt bronze and crystal chandelier with 8 lights. Measurements: Diameter: 38" Min. drop: 40"

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

A most unusual late 19th-early 20th century French Ormolu picture frame made from bronze and lavishly decorated with gold, having been professionally restored to it's former glory. The floating glass front protects the grey/blue silk taffeta and the intricate gilded mount set with paste stones...

Statuette of Don Quixote in gilded and silvered bronze, on a high alabaster base.

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A circa 1900's English patinated bronze lantern with glass jewels and 4 candelabra lights. Measurements: Drop: 24.5" Width: 10" Depth: 12"

Bronze plaque sculpture with a finely detailed relief depicting a lush natural scene, where birds, flowers, and fruits intertwine masterfully. Created in the late 19th and early 20th...

From the over the top The Chatsworth apartments building on West 72 Street facing Riverside Park in New York City, 6 Beaux Arts bronze antique sash lifts pulls for window or doors. ...

A French Belle Époque Louis XV Style Gilt-Bronze Gueridon Table with Marble Top, in the manner of Zwiener Jansen Successeur. The circular Riviera Beige marble top above a three-leg o...

A Fine and Rare Pair of French Chinoiserie Lacquered & Gilt Marble Top 2-Drawer Commodes, Attributed to Jansen. These exquisite pieces showcase a scalloped predominantly white varie...

Gilt Bronze Photo Picture frame French Empire style having twin Picture aperture 58mm wide, original water mark type silk fabric, each corner of the frame has Gilded mounts featuring French Sphinx...

Early 20th Century ca. 1900 Italian Campaigne bronze and crystal chandelier. 2 Candelabra socket.

A circa 1900's gilt bronze Baltic chandelier with 8 candelabra lights with Clear and Blue crystal pendants and cut glass body inset. Measurements: Diameter: 40" Min drop: 40"

Brilliantly sculpted and cast with very fine detail with a rich, lustrous patina, this celebrated bronze of a fully nude male archer was sculpted by Ernst ...

Rare one of a kind Biedermier style chandelier from 1900. Housing six-light. Will be rewired with certified US UL sockets for the USA and appropriate sockets for all other countries....

A pair of large circa 1900 double-tiered 20-light French Neoclassic style gilt bronze chandelier with painted and gilt finish and Greek key motif on body. Sold individually. Measu...

Very rare luxurious table mirror, France, 1900. Produced using traditional bronze casting technology. Fits perfectly into any classic or vintage interior. It will be a good gift for all bronze lovers. The magnificent design of the table mirror will be a delightful decoration for a cosmetic table...