Ivory Furniture

Naturalistically crafted objects in the form of mushrooms and fruits, mostly signed. Executed in ivory using the Shibayama-zaiku technique, incorporating coral, mother-of-pearl, gems...

This is a finely carved antique Japanese Netsuke, depicting a young boy in a patterned kimono with a large toad perched on his shoulder. The figure is delicately engraved and stained...

A scarce nearly 400 year old fine quality Italian Lombard ebony rosewood bone and ivory tabletop curiosity cabinet with warm rich beautifully aged patina and interesting provenance. ...

Important Art Déco cabinet, attributed to Jules Leleu, realized between 1925 and 1930. Executed in mahogany veneer with subtle figuring and a warm, satin finish, the cabinet showcas...

A fine quality antique Regency period Chinese Export Lacquer Work Sewing Box, Circa 1820. The box having a hinged lid that is sumptuously decorated with a gilded design of Imperial...

A fine Regency period tortoiseshell box, accented with sterling silver and ivory details. This is a very early and elegant example, showcasing the refined craftsmanship and materials...

An exquisite antique Japanese Meiji period Shibayama Shodana cabinet, circa 1880. One of the finest antique Shibayama cabinets one will see, ...

Pair of 18th-century Florentine Baroque-style side chairs, ebonized and finely inlaid with ivory. Each features a pierced splat depicting classical Greek muse, with carved details an...

Important 1925 Art Deco Macassar Ebony Inlaid Sideboard by Christian Krass. Decorated with an extraordinary inlaid marquetry of a reclining leopard within a black, elongated octagon...

Elegant, exotic, and unmistakably refined, shagreen has long captivated those with a discerning eye for luxury. A study in subtle opulence, this artisan-crafted decorative box is wr...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

Important ‘Bibol’ Cabinet in Burl veneer on oak structure with ivory details. This display cabinet has two solid side doors, one glass door, and three drawers in the lower part. It h...

Imagine a bed that’s not just a piece of furniture, but a stunning statement of artistry and craftsmanship. Designed by the talented Enrique Garcel for Jimeco LTDA. in Colombia durin...

This large mid nineteenth century marquetry box from the Napoleon III period features a burl thuya wood field surrounded by a concentric border of intricately inlaid ebonized pearwoo...

Here we have an impressive antique Regency (1811-1820) Mahogany & Rosewood Brass inlaid campaign writing slope box with a side drawer and multiple hidden internal compartments and dr...

A rare and most impressive 18th century European parcel ebonized rosewood hardstone bronze pewter bone ivory marquetry tabletop cabinet casket. Of exceptionally fine quality, lavish...

This Edwardian rosewood music cabinet, circa 1910, is an elegant example of fine craftsmanship and timeless design. Constructed from richly grained rosewood, the cabinet features exq...

Ivory diptych sundial for latitude 48 degrees with vertical and horizontal dials, pin gnomon for Italian hours and lunar volvelle. Compass needle and glass cover. On the plain back ...

Made of carved wood with transparent fences and scrollwork panels, two dragons at the front and pagoda roofs on top. A beautiful realization by the Chinese woodcarver and furniture m...

The Air Wall Lamp is a unique and elegant piece that showcases Ray Power’s signature sculptural style. Crafted from finely pleated and folded wood veneer, the wall lamp strikes a har...

Egyptian Revival ebony and inlaid settee, late 19th century "Of architectural form with geometric borders and inlaid with fruitwoods, ivory, mother of pearl and wire, the carved giltwood cresting rail in the form of serpents centred by a tablet inlaid with a winged bird, probably the symbol of the Egyptian Goddess, Nekhbet, clutching a payrus stalk, the padded back between two moulded cartouches depicting Horus and Iris, the arm supports in the form of Canopic jars surmounted by the head of Anubis, with a padded seat and shaped legs terminating in paw feet. Measures: 26" deep x 56" wide x 45.5" high x 18" seat height In the nineteenth century, the Egyptian Revival became fashionable following the Napoleonic campaigns in Egypt with the publication of Voyage (1802) by Vivant Denon...

Beautifyl Ancient bone netsuke created in Japan during Edo period, depicting a A small carved mask-like human face with exaggerated features Hollowed with string holes and a cord st...

Miniature with female subject, watercolor on ivory. The frame, in waxed fruit wood, is square in shape with a circle inside. The circle is bordered by a gilt brass decoration which f...

Walking stick: Art Nouveau ivory pommel Japanese carving, depicting an owl resting on branches of cherry blossoms. Eyes in glass paste. Silver metal ...

The brooch is finely made of carved and inlaid ivory depicting a grape branch with vine leaves and bunches, rich in movement and even minimal details. Deep three-dimensionality and m...

Bronze Mounted Steinway Model M Baby Grand Piano A Model Of Francois Linke Dimensions : Height 43 in., Length 67 in., Width 56.25 in A Gilt-Bronze Mounted Steinway & Sons Baby G...

A finely woven baleen basket by John Hank of Barrow, Alaska, one of the recognized makers of this rare Native Alaskan art form. The basket features tightly coiled and woven whale baleen...

A fine antique mid 19th century Anglo-Ceylonese specimen wood carved & inlaid ebony occasional table, circa 1850. The table top of octagonal form having a deeply carved edge with a f...

A fine Regency period rectangular tea caddy, veneered in panels divided by fine metal stringing. Silver metal escutcheon and key. Complete with an initialled plaque on the lid and ro...

Late 19th / early 20th century sterling silver overlaid corkscrew in the "Rustic" taste, having a sterling overlay of scrolled leaves over ivory carved as a piece of a branch with ra...

'Chevet rose' or small bedside cabinet by Émile-Jacques Ruhlmann, made from Burr Amboyna veneer. The cabinet stands on four elegant curved legs, its elliptical corpus featuring three...

Rare George III Sterling Silver Tea-Coffeeset ivory Handles plus tray 1799-1800 Hallmarked in London in 1798-9 by Charles Asprey, this superb, George III, Antique Sterling Silver Tea...

Here we have an antique mid Victorian (1850-1870) mahogany bow front chest of 2 short over 3 long drawers with wooden knob handles and ivory key inscriptions (reference number listed...

Antique ebonised fruitwood geometric inlaid pier cabinet, circa 19th century, Italy. In good condition. The glass in the door is not original. The i...

In this listing you will find an impressive example of Art Nouveau craftsmanship - a letter opener with a perfectly shaped floral ornaments on one side and a figure of a girl on the ...

Gadget System stick: stick with lighter function. Ebony wood barrel, ivory knob with silver monogram in relief carved with letters N and H, metal ferrule. By unscrewing the knob a li...

An Art Deco marquetry panel of a jaguar, of rectangular form depicting a snarling jaguar emerging from a wood, worked in exotic woods including waln...

This curved sword has a blued steel German blade with an ivory cross-hatched grip bearing silver and gilt mounts in the form of a lion’s head and mane. ...

Elegant, exotic, and unmistakably refined, shagreen has long captivated those with a discerning eye for luxury. Derived from stingray skin, this richly textured material first appea...

19th Century German extremely detailed sterling silver and gold gilt knight figure. Knight in full suit of armour, carved face beneath a hinged viso...

Rare late 19th century Bavarian deer antler settee. A three-section settee with large fallow deer antler-shaped backs and natural red deer antler arms. Expertly crafted with interloc...

"17th-century Flemish cabinet with mythological paintings and silver decoration" Period: 17th century Materials: Wood, oil on panel, solid silver, mirrors Overall dimensions: 160 x ...

A fine early 19th century coromandel work box with moulded front design and fitted interior containing a super collection of sea shells. Ivory registration number 8NEDUS4R.

Chinese erotic ivory snuff bottle, most likely realized during the late !ing Dinasty (late 19th Century). Both main faces are finely engraved with Shunga-style erotic scenes, showin...

Walking stick: ivory carved handle. The handle depicts a rifle, a dog head and an hunting bag. Ebony wood shaft. Silver ring. Ivory ferrule. England circa 1880. (SHIP TO EU ONLY)

This Napoleonic style French flip top game table is a striking example of refined craftsmanship and timeless design. Made from fine burled walnut, the table is richly accented with b...

Walking stick: ivory carved handle depicting a refined portrait of Louis Philippe, King of France. Malacca wood shaft. Silver gilt engraved ring. Metal ferrule. France circa 1870. (S...

In this listing you will find a pair of Antique inlaid black lacquer wood Brush Pots In rectangular form. They are adorned with jade, soapstone, and ivory, creating floral imaginary ...

This rare and exceptional George III teapot is the work of preeminent Georgian silversmith Paul Storr, it is one of his earliest works, the date mark on this pieces of the year 1793 which is the first year Storr marked items with his own initials (P S) The teapot is designed in the neoclassical taste with some Chinese influences, or Chinoiserie taste, though the decoration shows signs of later 19th century enhancement in the technique and style of the chasing. It is very hard to impossible to find works from this early period with this interesting Royalty provenance. The family crest on the front is of the Tollemache family, and dating of The teapot indicate It belonged and probably commissioned by or as a gift to William Manners Tollemache, Lord Huntingtower, William, On 12 January 1793, at the Age of 26, he was created a Baronet, of Hanby Hall in the County of Lincoln. So this teapot was commissioned to celebrate the occasion. William Manners Tollemache: Lord Huntingtower (19 May 1766 – 11 March 1833), known as Sir William Manners, Bt, between 1793 and 1821, was a British nobleman And Tory politician. Born William Manners, he was the eldest son of John Manners and Louisa Tollemache, 7th Countess of Dysart. On 12 January 1793, at the age of 26, he was Ceated a Baronet, of Hanby Hall in the County of Lincoln.On his mother's Succession to the earldom in 1821, he was styled Lord Huntingtower, and adopted The surname of Talmash or Tollemache Paul Storr: (baptised 28 October 1770 in London – 18 March 1844 in London) was an English goldsmith and silversmith working in the Neoclassical and other styles During the late eighteenth and early nineteenth centuries. His works range from Simple tableware to magnificent sculptural pieces made for royalty Paul Storr was England's most celebrated silversmith during the first half of the Nineteenth century and his legacy lives on today. His pieces historically and Currently adorn royal palaces and the finest stately homes throughout Europe and The world. Storr's reputation rests on his mastery of the grandiose neo-Classical Style developed in the Regency period. He quickly became the most prominent Silversmith of the nineteenth century, producing much of the silver purchased by King George III and King George IV. Storr entered his first mark in the first part of 1792, which reflects his short-lived partnership with William Frisbee. Soon after, he Began to use his PS mark, which he maintained throughout his career with only Minor changes. His first major work was a gold font commissioned by the Duke of Portland...

Miniature with female subject, watercolor on ivory. The frame, in waxed fruit wood, black in colour, is oval shaped with the oval interior delimited by a golden brass decorated frame...

This magnificent Circa 1910 Edwardian Satinwood hand-painted game table displays signs of fine craftsmanship and ingenuity. From the 17th to the 19th Century, card and board games were means to socialize and gamble large sums of money among the wealthy. Game tables are an example of specialized furniture beautifully crafted by a skilled cabinetmaker for such clients. When not in use, the envelope top has such an elegant hand-painted floral design and fine maple inlay that makes it too lovely to conceal by placing anything on top. Closed, it can decorate any hallway or entryway. On casters, the table can be easily moved from room to room, which makes it very versatile. The maple inlay detail continues the sides and drawers, showing no detail of elegance was spared. Once you swivel the top, it opens to a flat green felt surface for playing cards. It has a rosewood and satinwood parquetry chessboard and cribbage board that pulls out in the front with brass knobs. The interior is a mahogany drawer with compartments for the storage of play pieces. The chess pieces are ivory. The right side opens to a hidden compartment with a built-in tantalus accompanied by three fine crystal decanters, perfect for pouring a drink before a game. The left side is a dummy drawer to symmetrically continue the aesthetics of the design to its entirety. As a commissioned piece of work, this museum-quality piece is perfect for any collector or connoisseur of rare, one-of-a-kind antiques. Comes with three crystal decanters and game pieces shown are included: a complete ivory chess set...

A rare and unusual small sized articulated painter's mannequin, with realistically sculpted face, ears, hands and feet. The mannequin is carved and made of ivory, mounted on a cylind...

Walking stick: ivory carved handle. The handle depicts a caricatural face of Mephistopheles. Ebonized fruitwood shaft rustic shape. Silver ring. Metal ferrule. England circa 1870. (S...

Evolve is a sculptural table light . Seed has been a central theme for our work in the past 2 years. Having created a Seed wall light collection, it seemed obvious to honour this t...

Walking stick: carved ivory knob depicting a dog's head with an open mouth. Eyes in glass paste. Brass ring. Bamboo wood shaft. Brass ferrule. England circa 1890. (SHIP ONLY IN EU)

A very rare unique example of British late Victorian 19th century Ivory and rosewood walking stick/cane. Carved Ivory clenched fist holding a r...

Made in Belgium in 1930, this exceptional Art Deco cabinet blends the elegance of the era with a strikingly modern edge. Its clean geometric lines contrast with the sculptural black ...

This Early 19th Century English Regency Greek Revival Calamander and Jasperware Cabinet with Ivory Stringing is a testament to the era's dedication to craftsmanship and historical re...

Italian Neo-classic (18th Century) Ivory with green undertones painted monumental commode with gold gilt carved trim on sides and 2 drawers under a ...

The Cleo Coffee Table pairs practical functionality with a striking design, featuring a sleek elliptical shape, a timeless elegance and versatility to any space. The table combines s...