Stone Furniture

"Reverie" statue of garden, limestone, folk ar"Reverie" statue of garden, limestone, Folk Art, circa 1950.t circa 1950,

Pair of crystal candlesticks with 2 arms with prismatic pendants with a step to end in a point, round base decorated with bumps and round pearls. Signed Baccarat Good condition.

The Italian 1950s floor lamp is attributed to Stilnovo having all the elements associated with the company combining glass, enameled black steel, brass and marble. The three brass ar...

A group of four silver, sea shell and coral Animal sculptures 1950s. Dimensions: Frog – H 5” x W 2.5” x D 5” x base height 2” Bird – H 6” x W 5” x D 3.5” x base height 2” Dog – H 4” x W 2.33” x D 3.5” x base height 0.75” Turtle – H 2.75” x W 3.75” x D: 4.75” x base height 0.75” Aurelio Teno Teno a/k/a Aurelio Teno (Spanish, 1927 - 2013) was a Spanish sculptor and painter. He stood out for his interpretations of Don Quixote, as the one who imagines him - mounted on the horse named Clavileño - as the first cosmonaut in history. Between 1936 and 1943, he lived in Córdoba where he trained artistically. First, as an apprentice in the workshop of the sculptor Amadeo Ruiz Olmos; later in a silverware workshop; and since 1939, in the School of Arts and Crafts of Cordoba, where he studied painting and drawing. In 1950, he moved to Madrid to work as a goldsmith; and later to Paris, where he lived for ten years. There, he extended his studies of fine arts, and is strongly influenced by Giacometti and expressionism in whole. This period in Teno’s artistic life is celebrated by several exhibitions of his paintings in the Salón del Art Libre, Palais des Beaux Arts galleries and others. At the same time, he continued to dedicate a lot of time to the creation of his famous sculptures-jewels. In 1965, he returned to Madrid although he installed his studio in the Molino del Cubo (Ávila), where he researched new plastic procedures and also exhibits his controversial polemical paintings at the Ateneo de Madrid. Begining that year, he starts a series of international exhibitions in Copenhagen, Paris, New York, Rabat and San Luis (Missouri, USA). In 1976 he consolidated his international prestige as a monumental sculptor by winning the contest for Don Quixote sculpture...

Superb signed Maison Charles 2 patina coffee table. Original finish, very good vintage condition. Vert Mer marble and 2 patina bronze and gun metal.

Beautiful pair of Italian solid black marble candleholders / candlesticks. These were imported from Italy by Raymor in the 1950s. Signed with...

Pair of clear textured crystal lights in two halves held with brass hardware. 1950s. By Carl Fagerlund for Orrefors, Sweden. Total drop including canopy is 22 inches. Glass is 10 inc...

Bertoia stopped producing jewelry in the late 1940s except for rare occasions when he would barter a piece in exchange for materials from his metal supplier. This piece has remained ...

Designed by Emil Stejnar during the early 1950s and manufactured in Austria by Rupert Nikoll. It features an oval mirror, which appears to float, surrounded by a white lacquered meta...

Dubé (Duilio Bernabe) coffee table. Fontana Arte, Italy, circa 1955. Reverse-painted crystal, brass. Dimensions: 42 W x 21 D x 15 H inches. Rare "Dubé" Fontana Arte coffee table ...

Crystal rod chandelier by Camer. Murano, Italy, circa 1950. An all original light fixture with a brushed steel metal frame. An outer row of 12-inch...

This ceiling lamp called Snowflakes was designed by the designer Emil Stejnar in the 1950s. The curved arms terminating in stylized chandeliers, decorated with glass beads heads lo...

Mid-Century Swedish chandelier by Carl Fagerlund for Orrefors in eight pie-slices with brass fittings and crystal canopy cover.

Crystal and brass flush mount ceiling light by Carl Fagerlund for Orrefors, Sweden, early 1950s.

Pair of sconces with two arms and a pair with one arm, double patina bronze, crystal ball Sevres.

Occasional table by Edward Wormley for Dunbar. USA, circa 1950s. Travertine top with tripod mahagony base. Dunbar label to underneath.   

A circa 1950's French plaster and composition painted light fixture. Measurements: Height 31.5" Diameter 22".

Uncommon ceramic table lamp in the form of an Asian inspired primitive urn. Turquoise and royal blue glazed ceramic body with parcel gilt overlay. Brass stem and double socket cluste...