Antique 19th Century French Mercury Glass Mirror

Italian Venetian Murano 1940s style (modern) clear glass chandelier with six fluted scroll arms supporting a large bowl with large 6 glass feathers emanating from a centre shaft with...

A pair of round side chairs in the style of Louis XV with cabriole legs headed with carved acanthus leaves, a round caned back with cresting that is e...

Paul Mayen chrome stacked coffee table base for Habitat International Architectural table with Minimalist design similar to Paul Evans. Sturdy base consisting of 3 levels of stacked...

This Biedermeier 90 collection, Milo Baughman did with Thayer Coggin in the is one of the last collections Milo and Coggin did together in the 1990's. Milo Baughman believed the midcentury style needed to be warmed up a bit. For admirers of Biedermeier furniture, the neoclassical style that flourished in Austria and Germany from 1815-1830, the choices are few: scarce and expensive antique pieces and now, Milo Baughman's Biedermeier 90 collection for Thayer Coggin, a furniture maker in High Point, N.C. ''When I teach the history of modern design, I start with Biedermeier, because it's the first indication that there would be a new philosophy in design, furniture designed to be more honest and simple,'' said Mr. Baughman, who has designed furniture for Thayer Coggin since 1953 and also teaches design at Brigham Young University in Provo, Utah. The 27-piece collection, which includes consoles, tables and upholstered seating, captures the spirit of Biedermeier design with honey-colored wood veneers, neoclassical fluted columns and natural steel finishes. - Ref NYTIMES, 8/10/1989 “Eurostyle started out as a fairly valid design statement,” says Milo Baughman, a highly regarded veteran furniture designer who teaches at Brigham Young University in Provo, Utah. ''But when it was reduced to more commercial levels and picked up too quickly by people who make cheap furniture...

Super pine mirror. Can be free standing against a wall or wall mounted Great rustic look. Wonderful simple lines. The bevelled mirror plate is new.   Free UK shipping

19th century French Napoleon III Embossed & gilded mirror displays extraordinary detail in a celebration of the classical style! Embossing patterns include a bordering all around, with a tier of intriguing foliates, next to a gold bordering and a raised, half-cylindrical molding that is raised from the surface and embossed to depict bundled florals with several types of flowers represented in the detail. Finally, around the original beveled mirror itself appears one last triple tier of gold molding with beading accent. The original silver is starting to show distress at the bottom, typical for mirrors of this age, which to the cognoscenti only adds to the charm and allure! A tailored corbel appears at the bottom on each side as a finishing transitional touch to the surface upon which the mirror is mounted, which can range anywhere from the floor to a magnificent fireplace...

A 19th century French over the mantle mirror. This monumental wall or mantle mirror is simply stunning. The center clear panel is flanked by a giltwood frame of rope and bead de...

An elegant French Louis XVI style giltwood mirror, dating from the Napoleon III period, retaining the original mirror plate, the wide frame decorated with a string of pearls and a foliage of olive tree, surmounted by a Central leaf and a farandole of delicate roses. This mirror will bring the French chic touch you...