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Milo Baughman Style Burled Olivewood Brass Mirror, Mid-Century Modern

About

Handsome Milo Baughman style burled olivewood and brass mirror. There is something wonderfully luxurious about how a piece of vintage burled olivewood gives any space a rich, sexy feel.

Details

  • Period
  • Materials and techniques
  • Condition
    Good. This piece is in very nice vintage condition-minor age appropriate wear. There are some small minor chips to the veneer. Mirror has a few light scratches and light spotting-great vintage appeal..
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 4 ft. 3 in. x W 2 ft. 6 in. x D 1.25 in.

    H 128.27 cm x W 74.93 cm x D 3.18 cm

  • Seller location
    Medford, NJ
  • Reference number
    LU94326534593

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About Milo Baughman (Designer)

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

     Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

     Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.

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