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William & Mary Japanned Painted Dressing Table Mirror
$13,413.08
£9,900
€11,584
CA$18,477.41
A$20,693.53
CHF 10,797.55
MX$252,762.59
NOK 137,376.20
SEK 129,493.53
DKK 86,449.94
About the Item
Extremely rare dressing table mirror of the William and Mary-period, ca 1690.
An English late-17th century japanned and painted dressing table mirror - remarkable to survive in its original state – retaining floral decoration throughout.
The fall front reveals a concave, fitted, stepped interior of drawers and pigeon holes. A conforming long drawer beneath the fall has six compartments, one of which conceals a secret recess.
All fully poly-chrome painted in the manner of the 17th-century Netherlandish flower painting school.
A fine and rare museum quality piece of unusually large scale. This antique may well be unique.
Nb. Also referred to as a ''toilet mirror'' or ''vanity''.
Nnb. Sometimes japanning is confused with lacquer, but this antique is japanned.
References:
An important flower-painted lacquer cabinet sold Sotheby’s, New York, 21st October 2000, lot 294.
Vis. Leverhulme sale, 26-28 June 2001, lot 220.
Vis. Sotheby's sale of the estate of Christian Lady Hesketh, Easton Neston, London, 7th March 2007, lot 25.
Wikipedia:
William and Mary
- Dimensions:Height: 33.86 in (86 cm)Width: 18.31 in (46.5 cm)Depth: 10.24 in (26 cm)
- Style:William and Mary (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1690
- Condition:Wear consistent with age and use. Unrestored, original condition. Phenomenal.
- Seller Location:Lymington, GB
- Reference Number:Seller: BHA 10231stDibs: LU4081126145142
About the Seller
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View AllVery Rare Carved Gilt Gesso Dressing Mirror, circa 1710-1720
Located in Lymington, GB
A very rare carved gilt gesso dressing mirror. Queen Anne / George I-period, ca 1710-20.
Decorated all over with the original finely carved gilt-gesso surfaces with typical circular punched reserves.
The hinged fall - of what one might refer to as the 'table bureau' section - reveals a shaped, fitted interior, gilded and japanned (''lacquered'') in black with red.
Some external carved surfaces show very minor areas of wear revealing the authentic bole and gesso ground. Overall in superb condition.
H: 39 1/2’’ (100 cm)
D: 12 1/2’’ (31.5 cm)
W: 17 3/4’’ (45.5 cm).
Reminiscent of the work of London-based James Moore (ca 1670-1726), a supreme exponent of the art of cut gesso and gilding.
This dressing table mirror is possibly unique in this form, and as such has survived some 310 years in remarkably original state.
It may have been part of a suite of furniture, would have been extremely costly, and very much the reserve of the aristocracy and wealthy in the early part of the 18th century.
For documented pieces by James Moore visit the Royal Collection Trust.
Wikipedia: James Moore (furniture designer).
James Moore (circa 1670 - October 1726) was established at Short's Gardens, St. Giles-in-the-Fields. He was in partnership with John Gumley from 1714 and, unlike his partner, did not advertise - the sole published reference to him being a notice of his death in The Weekly Journal or The British Gazetteer. As Royal cabinet-maker he supplied walnut and mahogany furniture for the Royal Household, the Royal Yacht, and the King's servants and mistresses, as well as the rich gilt-gesso work for which he is best known.
Moore is especially renowned for gilt-gesso furniture: tables; looking glass frames; and candle stands. A pair of gilt-gesso side tables bearing the crowned cypher of George I in The Royal Collection, and the pair of candle stands en-suite are incised with his name - an unusual practice at the time. At Erddig, such furniture by Moore can be linked to surviving bills and receipts from James Moore and John Belchier, 1722-26.
Gilt-gesso furniture is also encountered in fine Louis XIV and other European furniture of the period.
Literature:
Ralph Edwards CBE FSA 'The Shorter Dictionary of English Furniture', Hamlyn, London (Fourth Impression 1972) ill. 5, p. 363. One of a pair of looking glasses by James Moore, 1720. Erddig, Denbigh. The crest is reminiscent of that upon our dressing mirror, which we are offering here.
Kreisel, Heinrich, 'Die Kunst Des Deutschen Mobels', CH Beck, Munchen (1970) ill. 345, p. 347 - note similarities in the treatment of the top of the crest. This mirror was last seen in the collection of Augsburg Castle.
Synge, Lanto, 'Great English Furniture', London (1991) p. 52.
Symonds, R. W., 'A Royal Scrutoire', Connoisseur (June 1940) pp. 233-236.
Symonds, R. W., 'English Gesso Furniture', The Antique Collector, Vol. XXVII (August 1956) p. 140.
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