18th Century Italian Baroque Period Carta Gloria Altar Card Giltwood Mirror

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...

A rare complete set of three antique Italian Grand Tour ecclesiastical hand carved parcel gilt cream painted pine "Carta Gloria" altar card frames. Italy...

A scarce Baroque period Spanish or Italian hand carved polychrome painted wood Santo sculpture with inset colored glass eyes, original white robe garb and later wood rosary. Intrica...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

Beautiful carved giltwood baroque mirror, Italy, circa 1750. Weathered, small losses and old repairs.

18th century, Italian baroque carved and giltwood mirror This refined mirror was made in Venice, Italy, in the eighteenth century and has the characteristic decoration of the Ven...

Beautiful carved giltwood Baroque mirror, with its original foxed mirror glass. Italy, circa 1750. Weathered and minor losses.

This original 18th century frame is gilded over copper. It is elaborately embossed and chiseled. The cartouche is surrounded by rocaille and volute motifs. The Carta is mounted on a wood backing and rests on two linear bases. It is very rare to find the original altar glory prayer still present inside. It explains the part of the Mass being performed. This is an extremely special museum piece for any ecclesiastical collection. Measurements: W 14 ½” x H 14” x D 1” Weight: 1 lb 8 oz