19th Century Pair of Carved Giltwood 'Chinese Chippendale' Style Mirrors

A pair of George II style mirrors Constructed in carved giltwood, the waisted teardrop shaped mercury plates housed within asymmetrical conforming frames in the George II manner richly carved with scrolling foliates and flowering branchwork; adorned with a floral crest and a relief carved flower pendant...

A Pair of mirrors, from Designs in Thomas Chippendale's 'Director' Constructed in carved gilded softwood, of asymmetrical addorsed form, the mirror plates housed within complex Rococo carving, incorporating 'S' & 'C' scrolls, foliage, and surmounted by Ho Ho birds, the design informed by Chippendale's Plate numbers 168, 169, 177 and 178. Circa 1850 Dimensions: H: 70 in / 177 cm W: 35.5 in / 90 cm Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century English cabinet...

A Pair of English Rococo Style Mirrors Carved from wood and gilded, the almond-shaped mercury silvered plates surrounded in a Rococo asymmetrical frame cared with scrolls, acanthus ...

A giltwood mirror in the mid-18th century manner. Enclosed within a carved and gilded swept and shaped symmetrical frame, adorned with ‘C’ scrolls, foliated and floral ornamentati...

A pair of carved giltwood mirrors, each having connected cartouches, with framed of s-and c-scrolls, waves, and rocaille, surmounted by a carved and gilt phoenix, the top cartouche d...

Beautiful pair of antique 18th century George II chinoiserie English carved giltwood mirrors with candleholders. These magnificently hand-carved giltwood mirrors are meticulously detailed and adorned with acanthus leaves flourishing throughout the frame with flowers and vines blossoming all around. On each mirror has a double arm gilt metal candleholder held up by acanthus vines growing upwards out of the plane of the mirrors, the primary wood is pine. From an Important and old NYC...

In the manner of Thomas Chippendale (1718-1779) An exceptional pair of George III style giltwood mirrors, the mirror plate within ...

Pair of "cornucopias" with mirrors, nearly identical (except for details in the leaves of the frames), carved and gilded wood. Inside, the main mirror has moldings that draw curves and straight areas, volutes and other elements. The elaborate decoration of the wall mirrors is based on grotesques in the lower part, from which plant elements emerge that are prolonged, accompanied by hangings, towards the upper part by the sides, with openwork details. Above, the crests have circular spaces, flanked by birds perched with its wings partly extended, and surrounded by elaborate frames that, like the rest of the pieces, have architectural elements (scrolls, smooth oval mirrors), plant elements and shapes that remind Rococo rockery. Clearly, the examples are included within the Rococo, counting, even with the slight asymmetry presented by the decorative motifs of the same and that slight difference between both examples. It is possible to find similarities in the design of these cornucopias with different engravings and works by Matthias Lock...