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Beautiful round mirror, "Hommage à Line model" by O. de Schrijver & Ode's Design

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Important Carved Giltwood Mirror, Italy, Circa 1880
Located in PARIS, FR
Elegant sculpted giltwood mirror, of curved shape, with a rich rocaille openwork decoration of flowers, scrolls and acanthus leaves.
Category

Antique 1880s Italian Wall Mirrors

Materials

Giltwood

Exceptional Carved Giltwood Mirror, France, Circa 1860
Located in PARIS, FR
An important carved and gilded wood mirror, with a very fine decoration made of flower garlands wrapped around the moulded frame, sculpted with acanthus leaves. A large foliate shell...
Category

Antique 1860s French Napoleon III Wall Mirrors

Materials

Mirror, Giltwood

A Contemporary Illuminating "Byzance" Mirror, France, 20th Century
Located in PARIS, FR
Large octogonal illuminating mirror in rosso antico marble and silvered bronze, decorated with gilt bronze garlands and semi-precious stones such as lapis-lazuli, porphyry. It is part of a serie of six...
Category

20th Century French Wall Mirrors

Materials

Lapis Lazuli, Marble, Bronze

Oval Giltwood Mirror Attributed to L. Frullini, Italy, circa 1890
By Luigi Frullini
Located in PARIS, FR
Signed on the back with a stencil « F. Quentin & C, Firenze » Exceptional oval mirror in delicately carved and gilded wood. The frame, underlined in its center by a frieze of ovals and a beaded frieze, is adorned with a luxuriant country decor in which are intermingled various flowers and fruits, vines, garden attributes ; but also farm animals represented in a very realistic way. Luigi Frullini...
Category

Antique 1890s Italian Wall Mirrors

Materials

Giltwood

Splendid Giltwood Mirror, Italy, 2nd half of the 19th Century
Located in PARIS, FR
An important carved giltwood mirror with a rich frame beautifully decorated of arabesques. The top is richly ornamented with a cherub and surmounted by a mask on a spread shell. The ...
Category

Antique Mid-19th Century Italian Wall Mirrors

Materials

Giltwood

Painting "Le Moineau de Lesbie" by C.G. Brun, French School, 1860
By Charles Guillaume Brun
Located in PARIS, FR
Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...
Category

Antique 1860s French Napoleon III Paintings

Materials

Giltwood, Canvas

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