Darren Romanelli, "DRx Quilted Mirror, " 2022

Darren Romanelli (b. 1976), who goes by the monikers of Dr. Romanelli or DRx, has over 20 years of experience in curation and creative direction. Inspired by his dedication to sustainability and upcycling, Romanelli's collaborations with Converse, the Los Angeles Rams...

Darren Romanelli (b. 1976), who goes by the monikers of Dr. Romanelli or DRx, has over 20 years of experience in curation and creative direction. Inspired by his dedication to sustainability and upcycling, Romanelli's collaborations with Converse, the Los Angeles Rams...

Snarkitecture [Est. 2008] Broken Square Mirror Pink, 2021 Polyurethane, glass 39.5 x 39.5 x 7.75 inches 100 x 100 x 20 cm Edition of 33 Daniel Arsham’s practice exists at the intersection of art, architecture and performance. Through his work, Arsham poetically combines the past, present, and future, skirting the line between romanticism and pop art—while experimenting with the timelessness of certain symbols and cultural icons. Arsham was born in 1980 in Cleveland, Ohio. Raised in Miami, Arsham attended The Cooper Union where he received the Gelman Trust Fellowship Award in 2003. Upon graduation, Arsham toured worldwide with the Merce Cunningham Dance Company as the company’s stage designer for over four years—an experience that informed his ongoing synergistic practice. In 2007, he founded the pioneering architecture firm Snarkitecture with partner Alex Mustonen. Collaboration continues to be a key cornerstone of his practice—realizing high-profile projects with music producer Pharrell Williams and designer Hedi Slimane, as well as Dior, Porsche, and Rimowa. Objects for Living (2019), Arsham’s first collaboration with Friedman Benda, was inspired by Arsham’s recent renovation of his own Long Island home built in 1971 by the noted modernist architect Norman Jaffe...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 29.25 x 16.25 x 10.5 inches 74.3 x 41.3 x 26.7 cm Brooklyn-based Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisatory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Affettati Mirrors “MORTADELLA” by Nicole Valenti NIVA design presents the “Affettati Mirrors” collection by reinterpreting the mirror in a contemporary and provocative way, creating...

A one of a kind square hand-carved 45" mirror designed and produced by the Italian studio of Michele Ghiro Wide smoke gray border punctuated by 16 pale green tinted brass faced mirro...

Unique, large Puffy Mirror by Yolande Milan Batteau (b. 1970) Aluminum gilded composite material with a mirror plate. Custom commissions available.

This striking and rare Mid-Century Brutalist Patchwork Mirror was made by Paul Evans and originates from the United States Circa 1970. Featuring a bol...