Dramatic, Monumental Rococo Florentine Giltwood Mirror with Matching Planter

Trio of 18th century French Rococo mirrors, with finely carved and gilded wood frames. Design elements including plants and flowers, spouting fish, and the typical Rococo "bean" or "kidney" decorate the ornate frames. All three mirrors are topped with a "Ho-Ho Bird" motif, a version of the Japanese...

Originally made for use with candles, this 19th century Spanish carved giltwood mirror sconce has been electrified, and its two sockets will take candelabra style bulbs. The decorati...

This matched pair of 19th century Spanish mirrors have carved giltwood frames with a simple flower and ribbon border design. The mirrors have hangers in two places on the back, and c...

19th century French Empire style trumeau mirror with matching console table, featuring a decorative mythological "Verre Églomisé" reverse paint...

A Very Important Late 19th Century Rococo Style Giltwood and Gesso Mirror The entire frame exceptionally carved with heavy detail. The top centered with a large carved cherub and t...

Large Rococo Revival or Second Empire style mirror from France, circa 1880. Expertly handcrafted and in great condition. Hand carved mirror accompanied by water gilt accents on plast...

Great antique carved Rococo style giltwood Italian mirror. Distressed original mirror glass as shown in photos. Good overall condition . Measures 30" x 17". Inset mirror is 15.5" x 1...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...