Eccentric Shaped Danish Teak Mirror

Up-and-down "Versitable" by Tepper-Meyer Associates of San Francisco, produced by Fred Meyer circa 1954. The two-position design can function as a dining or writing table in the high...

Spare and architectonic brass cocktail table with gently sinuous curves and original glass top. A Bertha Schaefer design for M. Singer and Sons, circa 1954. Rare to the market. Docum...

“Jason” cocktail table in stainless steel and glass by New York City designer and interior decorator Gary Gutterman. An exceptionally well-executed continuous form with the unusual f...

1949 survey of small modernist houses in America, compiled and edited by William J. Hennessey based on selections by a jury of architectural photographers in...

Tall cabinet of solid and painted wood, with six drawers and two doors, by renowned architect and landscape designer Dan Kiley. Basically, a freestanding built-in from the Charles an...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Beautiful, slightly tapered model, hanging mirror from the mid century. Made in Denmark. Measures: Width top: 38cm Width bottom: 30cm.

Mid-Century Modern wall mirror by Aarhus Glasimport og Glassliberi, Denmark. This decorative mirror has a contoured rectangular teak frame that fits perfectly in an entryway space...

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: Teak, mirror Measurements: 15.35? wide x 29.5? tall Condition: In excellent original condition.

A very large teak mirror with round frame. Denmark, circa 1960. Signed. Beautiful wood grain. May be viewed at the 1stdibs showroom at the New York ...

Mahogany Asymetric 2 mirrors by Aarhus glasimport & glassliberi Denmark, 1960. Rare set in good overall condition.

Origin: Denmark Designer: Unknown Manufacturer: Unknown Era: 1960s Materials: Teak, Glass Measurements: 16? wide x 25? tall Condition: In excellent original condition.