George III Mirror

A large giltwood pier mirror in the Regency taste, the breakfront cornice with suspended balls above frieze with central panel, the plate flanked by barley twist columns. Dimensio...

A George III fire grate, iron and steel, with urn finials and serpentine railed basket, the fretwork apron with bands of Vitruvian scrollwork, th...

An Irish Georgian brass register grate circa 1800, the moulded brass frame with roundels to each corner.

A charming George III wrought iron fire basket, with ball finials, circle details to the the apron and scrolled front legs, a blacksmith made ...

A George III inlaid Statuary marble fireplace, removed from a property on Belgrave Square, London, the moulded breakfront shelf above central tablet depicting Diana the Huntress and ...

An oversized George III wrought iron fire-grate, the standards formed of elegant urn-topped pierced obelisks standing on a group of Tuscan columns, united by pierced and engraved sha...

A beautiful pair all carved wood and gilded. True pair with the birds facing each other with a bird crest flanked by trailing leaves over an oval mirror plate with carved gadrooned o...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

A George III style carved giltwood mirror After a design by Thomas Johnson Of grandiose proportions, the central oval glass plate built up in a concentric arrangement of mercury ...

An oval carved giltwood looking glass mirror in the manner of George III. The moulded frame is carved with leaves carefully worked with C-scrolls both in front and behind the leaves....

A pair of carved giltwood George III mirrors of Adam design with leaf carved outer frame and bead carved inner frame, the surrounding border glasses are punctuated by oval flower-hea...

A carved and giltwood looking rectangular glass mirror that combines the genius of Thomas Chippendale together with that of Thomas Johnson. In...